Tree Services Georges Hall

Looking for Tree services expert to remove trees in Georges Hall? We offer a full range of gardening services including tree trimming, tree cutting, and tree removal. All Green Gardening and Landscaping has been recommended as one of the best tree services near you.

Removing a tree is not an easy task especially when you consider the restrictions of local councils. However, the tree removal services provided by us are hassle-free. With our company, you will have an unparalleled tree cutting experience. With over 15 years of experience in this field, we have always focused on seeing to it that the customer is satisfied. Contact us today for a free quote.

Call 0410 196 069

Image describes garderner Sydney and gardener near you

Looking for a Tree Service Professional to provide all your Services at an affordable price?

We can provide a written, no-obligation quote upfront, so you know what your costs for tree services in Georges Hall will be in advance before any work commences. We usually will need to view the area before we can provide an accurate estimate of the price. This will give us an opportunity to assess your trees and what it needs, provide you with our advice and suggestions, and provide you with a tree service estimate.

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Tree Removal Service Georges Hall 2198

For many people, looking for a good tree service company is a daunting task. A quick search on the internet will give you a list of contractors that you can go through. But, someone good at selling themselves is not always going to be the best one to do the job.

With us, you do not have to worry about the quality of work (Check out our reviews here). We are highly recommended + 5-star rated tree removal team in your local area. We quote your tree removal job for free. We cover you from all angles when it comes to pruning, trimming trees to stump grinding.

What is the cost of tree removal in Georges Hall NSW 2198?

The cost of tree removal in Georges Hall ranges from $300 to $4,000. The cost can only be determined through a thorough inspection. The costs of tree removal depend on several factors, including tree size, type, condition, hazard, and accessibility.

#1 Tree Pruning Service Near You

Pruning is one of the most important ways to keep your trees healthy and manageable. Pruning tree is a good process when it comes to preserving the health of the tree. It may seem like an unnecessary task to a lot of people, but the health benefits that regularly pruned trees get is at a different level compared to a tree that has been ignored for years.

Many of the issues like overgrowth of the branches and falling of the branches are a common problem for many households. Pruning trees regularly helps you to get rid of these problems and gives new look to your garden. The best time to prune your trees is between fall and early spring. We recommend pruning trees at least once a year for the best results.

Tree Cutting Service Georges Hall

We provide professional tree removal and cutting services. With over 15 years of combines experience in the field, we are one of the best when it comes to tree cutting services near you.

Nowadays, people talk about DIY tree cutting since a lot of information is available online. However, a video or tutorial cannot give you the broad knowledge that comes with experience. Cutting trees by yourself is very risky. You might be putting yourself and others in a dangerous position if you are cutting trees by yourself. Instead hiring the most professional tree cutting service in Georges Hall is now easy than ever. We offer free quotes and are full service with many benefits compared to others.

Best Tree Trimming Georges Hall

Tree service professionals have the right equipment to handle tough trunks in addition to garden upkeep. Stumping above ground level is unsafe as well, so you may want to pave over the stump once the tree is removed. Our expertise includes tree removal, tree lopping, and stump grinding.

We always aim to get to quotes and jobs on time because we understand how valuable your time is. In addition to this tree removal, trimming, dead wooding, and reduction, we also do large and dangerous trees and palm removal in your area. Contact us today for the best Tree Services experience in Georges Hall NSW.

Frequently Asked Questions

The estimated cost of tree removal would be in the region of $350 to $4500. That’s a large range! The national average for tree removal so far this year is $871, but because so many different aspects are weighed, it’s hard to only go by an average.

Tree service companies are specialist entities that take care of trees and other woody plants. They add fertiliser, prune or trim and control insects and diseases, as well as, if necessary, aid with other problems, including elimination or transplantation.

The best time to trim or prune the leaves is between fall and spring. Our team of experienced tree service professionals recommended trimming trees annually in the early spring.

The presence of mushroom in the trunks of the trees indicated the rotting of the trunk. However, not all fungus indicates a bad sign.

A rotten or damaged tree has a really big risk of falling on the property. It is best recommended to get your tree checked by a professional tree service professional to get the best advice.

Current Job Postings

Looking to be apart of the All Green Gardening & Landscaping Team, email us your Job Interest as we are looking for local tree specialists and arborists in Sydney to start immediately.

jobs@allgreen-gardening-landscaping.com.au

Garcia Opening_CM-25
LA District Attorney George Gascón, collector Jaime Gutierrez, and artist Jaime “Germs” Zacariasis at the opening of "Home in Aztlán: The Garcia Collection of Chicanx Art" at CLMA on December 7, 2024. Photo by Catherine McIntosh

Carreras Gib cigarettes, 10 packet a
The antecedents of the Carreras business began trading in the eighteenth century (the company's products and advertising materials consistently bore the motto 'Established 1788'), and forebears of the founder’s family were Spanish apothecaries. The founder of the business was a Spanish nobleman, Don José Carreras Ferrer, who fought in the Peninsular War under the Duke of Wellington (1808–1814). After serving and receiving the highest military honours, it is believed he was obliged to leave Spain on account of his political views. In 1881, the first cigarette-making machine was patented in the United States by James Bonsack, and by 1883 one of the British manufacturers, W. D. & H. O. Wills, had pioneered the use of the Bonsack machine in England. Wills joined with twelve other companies to form the Imperial Tobacco Group, from which both Rothmans and Carreras chose to remain independent, and by 1901 the Bonsack machine, making 200 cigarettes a minute, was exclusively available only to members of this Group. Around this time another of the cigarette machine makers, Bernhard Baron, had returned to London from the United States in 1896 with a patent for a new machine which could make 450 cigarettes a minute. Baron's progress was watched with interest by Mr. Yapp who was by then running the Carreras business but who was keen to make cigarettes a paying venture. Having been unable to sell his machines to the newly formed Imperial Tobacco Company, which had a monopoly on the Bonsack machines, Yapp was able to negotiate a business arrangement with Baron in 1903. On 6 June 1903, Carreras became a public company with Yapp and Baron as directors and, under the leadership of Bernhard Baron, heralded the beginnings of competition for the Imperial Tobacco Group and the new American maker, James Buchanan Duke, who was also capturing large slices of the British market with Ogden’s Guinea Gold, the first Virginia cigarette made in England. The original Carreras prospectus was heavily criticised in the City press, but within a short time, the shares were fully subscribed, particularly by members of the tobacco trade, who saw potential in the new venture. The Baron family had a reputation as good employers who treated their staff well.[citation needed] Bernhard Baron would walk amongst his employees daily, enquiring after their families, and his son, Louis, and his grandson, Maurice, also made regular visits to the factory floor. A tradition developed that on Bernhard's birthday, each December, all employees were given two weeks' wages and a cake to take home. In 1904, an allied company was established. Called Carreras and Marcianus Ltd and operating from St James's Place, Aldgate EC3, the former Baron Machine Company works, the company’s purpose was to commence production of machine-made cigarettes. During the last six months of 1904 three brands made their debut, including Black Cat, the first cigarette in the United Kingdom to contain coupons that were redeemable for gifts. In 1905 yet more brands were introduced such as Chick, Jetty, and Sweet Kiss and Carreras began coupon trading in Black Cat. The business prospered and in 1906 additional premises were opened nearby, introducing new brands such as Carreras Ovals and Seven Up. Baron chose many novel schemes for the promotion of Carreras’ pipe tobacco and cigarette brands. In 1909, the company introduced the Baron automatic pipe filler in cartridges, which revolutionised pipe smoking and sold by the millions. In 1921, after the launch of Craven A, Carreras launched more brands such as Wall Arms, Piccadilly, and Turf. By 1927 the business had outgrown the Arcadia premises in City Road; the war had increased demand for cigarettes. In 1928, the famous Arcadia Works was opened in Mornington Crescent NW1, formerly a favourite residence of artists and writers. This building, which has become a major London landmark, was unusual in its design. It was the first factory in Britain to make use of pre-stressed concrete technology, and the first to contain air conditioning and a dust extraction plant. The company was also the first to provide full welfare services for its employees.[citation needed] The Arcadia Works was often visited by royalty, including the Duke of Windsor when he was the Prince of Wales, King George VI when he was the Duke of York, and the Duke of Kent. Many other important visitors from every part of the globe were entertained at Mornington Crescent. Leading to the entrance of the building were two large bronze cats.[3] Cast at the Haskins Foundry in London, these versions of the Egyptian god Bastet were each eight feet six inches tall and stood guard over Arcadia Works until 1959 when Carreras merged with Rothmans of Pall Mall and moved to a new factory in Basildon, Essex. The cats were separated, with one making the short journey to Essex, while the other went to be displayed outside the Carreras factory at Spanishtown, Jamaica.

Carreras Craven Plain cigarettes , 10 pack a
The antecedents of the Carreras business began trading in the eighteenth century (the company's products and advertising materials consistently bore the motto 'Established 1788'), and forebears of the founder’s family were Spanish apothecaries. The founder of the business was a Spanish nobleman, Don José Carreras Ferrer, who fought in the Peninsular War under the Duke of Wellington (1808–1814). After serving and receiving the highest military honours, it is believed he was obliged to leave Spain on account of his political views. In 1881, the first cigarette-making machine was patented in the United States by James Bonsack, and by 1883 one of the British manufacturers, W. D. & H. O. Wills, had pioneered the use of the Bonsack machine in England. Wills joined with twelve other companies to form the Imperial Tobacco Group, from which both Rothmans and Carreras chose to remain independent, and by 1901 the Bonsack machine, making 200 cigarettes a minute, was exclusively available only to members of this Group. Around this time another of the cigarette machine makers, Bernhard Baron, had returned to London from the United States in 1896 with a patent for a new machine which could make 450 cigarettes a minute. Baron's progress was watched with interest by Mr. Yapp who was by then running the Carreras business but who was keen to make cigarettes a paying venture. Having been unable to sell his machines to the newly formed Imperial Tobacco Company, which had a monopoly on the Bonsack machines, Yapp was able to negotiate a business arrangement with Baron in 1903. On 6 June 1903, Carreras became a public company with Yapp and Baron as directors and, under the leadership of Bernhard Baron, heralded the beginnings of competition for the Imperial Tobacco Group and the new American maker, James Buchanan Duke, who was also capturing large slices of the British market with Ogden’s Guinea Gold, the first Virginia cigarette made in England. The original Carreras prospectus was heavily criticised in the City press, but within a short time, the shares were fully subscribed, particularly by members of the tobacco trade, who saw potential in the new venture. The Baron family had a reputation as good employers who treated their staff well.[citation needed] Bernhard Baron would walk amongst his employees daily, enquiring after their families, and his son, Louis, and his grandson, Maurice, also made regular visits to the factory floor. A tradition developed that on Bernhard's birthday, each December, all employees were given two weeks' wages and a cake to take home. In 1904, an allied company was established. Called Carreras and Marcianus Ltd and operating from St James's Place, Aldgate EC3, the former Baron Machine Company works, the company’s purpose was to commence production of machine-made cigarettes. During the last six months of 1904 three brands made their debut, including Black Cat, the first cigarette in the United Kingdom to contain coupons that were redeemable for gifts. In 1905 yet more brands were introduced such as Chick, Jetty, and Sweet Kiss and Carreras began coupon trading in Black Cat. The business prospered and in 1906 additional premises were opened nearby, introducing new brands such as Carreras Ovals and Seven Up. Baron chose many novel schemes for the promotion of Carreras’ pipe tobacco and cigarette brands. In 1909, the company introduced the Baron automatic pipe filler in cartridges, which revolutionised pipe smoking and sold by the millions. In 1921, after the launch of Craven A, Carreras launched more brands such as Wall Arms, Piccadilly, and Turf. By 1927 the business had outgrown the Arcadia premises in City Road; the war had increased demand for cigarettes. In 1928, the famous Arcadia Works was opened in Mornington Crescent NW1, formerly a favourite residence of artists and writers. This building, which has become a major London landmark, was unusual in its design. It was the first factory in Britain to make use of pre-stressed concrete technology, and the first to contain air conditioning and a dust extraction plant. The company was also the first to provide full welfare services for its employees.[citation needed] The Arcadia Works was often visited by royalty, including the Duke of Windsor when he was the Prince of Wales, King George VI when he was the Duke of York, and the Duke of Kent. Many other important visitors from every part of the globe were entertained at Mornington Crescent. Leading to the entrance of the building were two large bronze cats.[3] Cast at the Haskins Foundry in London, these versions of the Egyptian god Bastet were each eight feet six inches tall and stood guard over Arcadia Works until 1959 when Carreras merged with Rothmans of Pall Mall and moved to a new factory in Basildon, Essex. The cats were separated, with one making the short journey to Essex, while the other went to be displayed outside the Carreras factory at Spanishtown, Jamaica.

Carreras Craven A cork cigarettes Aust, 10 pack b
The antecedents of the Carreras business began trading in the eighteenth century (the company's products and advertising materials consistently bore the motto 'Established 1788'), and forebears of the founder’s family were Spanish apothecaries. The founder of the business was a Spanish nobleman, Don José Carreras Ferrer, who fought in the Peninsular War under the Duke of Wellington (1808–1814). After serving and receiving the highest military honours, it is believed he was obliged to leave Spain on account of his political views. In 1881, the first cigarette-making machine was patented in the United States by James Bonsack, and by 1883 one of the British manufacturers, W. D. & H. O. Wills, had pioneered the use of the Bonsack machine in England. Wills joined with twelve other companies to form the Imperial Tobacco Group, from which both Rothmans and Carreras chose to remain independent, and by 1901 the Bonsack machine, making 200 cigarettes a minute, was exclusively available only to members of this Group. Around this time another of the cigarette machine makers, Bernhard Baron, had returned to London from the United States in 1896 with a patent for a new machine which could make 450 cigarettes a minute. Baron's progress was watched with interest by Mr. Yapp who was by then running the Carreras business but who was keen to make cigarettes a paying venture. Having been unable to sell his machines to the newly formed Imperial Tobacco Company, which had a monopoly on the Bonsack machines, Yapp was able to negotiate a business arrangement with Baron in 1903. On 6 June 1903, Carreras became a public company with Yapp and Baron as directors and, under the leadership of Bernhard Baron, heralded the beginnings of competition for the Imperial Tobacco Group and the new American maker, James Buchanan Duke, who was also capturing large slices of the British market with Ogden’s Guinea Gold, the first Virginia cigarette made in England. The original Carreras prospectus was heavily criticised in the City press, but within a short time, the shares were fully subscribed, particularly by members of the tobacco trade, who saw potential in the new venture. The Baron family had a reputation as good employers who treated their staff well.[citation needed] Bernhard Baron would walk amongst his employees daily, enquiring after their families, and his son, Louis, and his grandson, Maurice, also made regular visits to the factory floor. A tradition developed that on Bernhard's birthday, each December, all employees were given two weeks' wages and a cake to take home. In 1904, an allied company was established. Called Carreras and Marcianus Ltd and operating from St James's Place, Aldgate EC3, the former Baron Machine Company works, the company’s purpose was to commence production of machine-made cigarettes. During the last six months of 1904 three brands made their debut, including Black Cat, the first cigarette in the United Kingdom to contain coupons that were redeemable for gifts. In 1905 yet more brands were introduced such as Chick, Jetty, and Sweet Kiss and Carreras began coupon trading in Black Cat. The business prospered and in 1906 additional premises were opened nearby, introducing new brands such as Carreras Ovals and Seven Up. Baron chose many novel schemes for the promotion of Carreras’ pipe tobacco and cigarette brands. In 1909, the company introduced the Baron automatic pipe filler in cartridges, which revolutionised pipe smoking and sold by the millions. In 1921, after the launch of Craven A, Carreras launched more brands such as Wall Arms, Piccadilly, and Turf. By 1927 the business had outgrown the Arcadia premises in City Road; the war had increased demand for cigarettes. In 1928, the famous Arcadia Works was opened in Mornington Crescent NW1, formerly a favourite residence of artists and writers. This building, which has become a major London landmark, was unusual in its design. It was the first factory in Britain to make use of pre-stressed concrete technology, and the first to contain air conditioning and a dust extraction plant. The company was also the first to provide full welfare services for its employees.[citation needed] The Arcadia Works was often visited by royalty, including the Duke of Windsor when he was the Prince of Wales, King George VI when he was the Duke of York, and the Duke of Kent. Many other important visitors from every part of the globe were entertained at Mornington Crescent. Leading to the entrance of the building were two large bronze cats.[3] Cast at the Haskins Foundry in London, these versions of the Egyptian god Bastet were each eight feet six inches tall and stood guard over Arcadia Works until 1959 when Carreras merged with Rothmans of Pall Mall and moved to a new factory in Basildon, Essex. The cats were separated, with one making the short journey to Essex, while the other went to be displayed outside the Carreras factory at Spanishtown, Jamaica.

Carreras Craven A cork cigarettes, 10 pack b
The antecedents of the Carreras business began trading in the eighteenth century (the company's products and advertising materials consistently bore the motto 'Established 1788'), and forebears of the founder’s family were Spanish apothecaries. The founder of the business was a Spanish nobleman, Don José Carreras Ferrer, who fought in the Peninsular War under the Duke of Wellington (1808–1814). After serving and receiving the highest military honours, it is believed he was obliged to leave Spain on account of his political views. In 1881, the first cigarette-making machine was patented in the United States by James Bonsack, and by 1883 one of the British manufacturers, W. D. & H. O. Wills, had pioneered the use of the Bonsack machine in England. Wills joined with twelve other companies to form the Imperial Tobacco Group, from which both Rothmans and Carreras chose to remain independent, and by 1901 the Bonsack machine, making 200 cigarettes a minute, was exclusively available only to members of this Group. Around this time another of the cigarette machine makers, Bernhard Baron, had returned to London from the United States in 1896 with a patent for a new machine which could make 450 cigarettes a minute. Baron's progress was watched with interest by Mr. Yapp who was by then running the Carreras business but who was keen to make cigarettes a paying venture. Having been unable to sell his machines to the newly formed Imperial Tobacco Company, which had a monopoly on the Bonsack machines, Yapp was able to negotiate a business arrangement with Baron in 1903. On 6 June 1903, Carreras became a public company with Yapp and Baron as directors and, under the leadership of Bernhard Baron, heralded the beginnings of competition for the Imperial Tobacco Group and the new American maker, James Buchanan Duke, who was also capturing large slices of the British market with Ogden’s Guinea Gold, the first Virginia cigarette made in England. The original Carreras prospectus was heavily criticised in the City press, but within a short time, the shares were fully subscribed, particularly by members of the tobacco trade, who saw potential in the new venture. The Baron family had a reputation as good employers who treated their staff well.[citation needed] Bernhard Baron would walk amongst his employees daily, enquiring after their families, and his son, Louis, and his grandson, Maurice, also made regular visits to the factory floor. A tradition developed that on Bernhard's birthday, each December, all employees were given two weeks' wages and a cake to take home. In 1904, an allied company was established. Called Carreras and Marcianus Ltd and operating from St James's Place, Aldgate EC3, the former Baron Machine Company works, the company’s purpose was to commence production of machine-made cigarettes. During the last six months of 1904 three brands made their debut, including Black Cat, the first cigarette in the United Kingdom to contain coupons that were redeemable for gifts. In 1905 yet more brands were introduced such as Chick, Jetty, and Sweet Kiss and Carreras began coupon trading in Black Cat. The business prospered and in 1906 additional premises were opened nearby, introducing new brands such as Carreras Ovals and Seven Up. Baron chose many novel schemes for the promotion of Carreras’ pipe tobacco and cigarette brands. In 1909, the company introduced the Baron automatic pipe filler in cartridges, which revolutionised pipe smoking and sold by the millions. In 1921, after the launch of Craven A, Carreras launched more brands such as Wall Arms, Piccadilly, and Turf. By 1927 the business had outgrown the Arcadia premises in City Road; the war had increased demand for cigarettes. In 1928, the famous Arcadia Works was opened in Mornington Crescent NW1, formerly a favourite residence of artists and writers. This building, which has become a major London landmark, was unusual in its design. It was the first factory in Britain to make use of pre-stressed concrete technology, and the first to contain air conditioning and a dust extraction plant. The company was also the first to provide full welfare services for its employees.[citation needed] The Arcadia Works was often visited by royalty, including the Duke of Windsor when he was the Prince of Wales, King George VI when he was the Duke of York, and the Duke of Kent. Many other important visitors from every part of the globe were entertained at Mornington Crescent. Leading to the entrance of the building were two large bronze cats.[3] Cast at the Haskins Foundry in London, these versions of the Egyptian god Bastet were each eight feet six inches tall and stood guard over Arcadia Works until 1959 when Carreras merged with Rothmans of Pall Mall and moved to a new factory in Basildon, Essex. The cats were separated, with one making the short journey to Essex, while the other went to be displayed outside the Carreras factory at Spanishtown, Jamaica.

Carreras Craven A cork cigarettes, 10 pack a
The antecedents of the Carreras business began trading in the eighteenth century (the company's products and advertising materials consistently bore the motto 'Established 1788'), and forebears of the founder’s family were Spanish apothecaries. The founder of the business was a Spanish nobleman, Don José Carreras Ferrer, who fought in the Peninsular War under the Duke of Wellington (1808–1814). After serving and receiving the highest military honours, it is believed he was obliged to leave Spain on account of his political views. In 1881, the first cigarette-making machine was patented in the United States by James Bonsack, and by 1883 one of the British manufacturers, W. D. & H. O. Wills, had pioneered the use of the Bonsack machine in England. Wills joined with twelve other companies to form the Imperial Tobacco Group, from which both Rothmans and Carreras chose to remain independent, and by 1901 the Bonsack machine, making 200 cigarettes a minute, was exclusively available only to members of this Group. Around this time another of the cigarette machine makers, Bernhard Baron, had returned to London from the United States in 1896 with a patent for a new machine which could make 450 cigarettes a minute. Baron's progress was watched with interest by Mr. Yapp who was by then running the Carreras business but who was keen to make cigarettes a paying venture. Having been unable to sell his machines to the newly formed Imperial Tobacco Company, which had a monopoly on the Bonsack machines, Yapp was able to negotiate a business arrangement with Baron in 1903. On 6 June 1903, Carreras became a public company with Yapp and Baron as directors and, under the leadership of Bernhard Baron, heralded the beginnings of competition for the Imperial Tobacco Group and the new American maker, James Buchanan Duke, who was also capturing large slices of the British market with Ogden’s Guinea Gold, the first Virginia cigarette made in England. The original Carreras prospectus was heavily criticised in the City press, but within a short time, the shares were fully subscribed, particularly by members of the tobacco trade, who saw potential in the new venture. The Baron family had a reputation as good employers who treated their staff well.[citation needed] Bernhard Baron would walk amongst his employees daily, enquiring after their families, and his son, Louis, and his grandson, Maurice, also made regular visits to the factory floor. A tradition developed that on Bernhard's birthday, each December, all employees were given two weeks' wages and a cake to take home. In 1904, an allied company was established. Called Carreras and Marcianus Ltd and operating from St James's Place, Aldgate EC3, the former Baron Machine Company works, the company’s purpose was to commence production of machine-made cigarettes. During the last six months of 1904 three brands made their debut, including Black Cat, the first cigarette in the United Kingdom to contain coupons that were redeemable for gifts. In 1905 yet more brands were introduced such as Chick, Jetty, and Sweet Kiss and Carreras began coupon trading in Black Cat. The business prospered and in 1906 additional premises were opened nearby, introducing new brands such as Carreras Ovals and Seven Up. Baron chose many novel schemes for the promotion of Carreras’ pipe tobacco and cigarette brands. In 1909, the company introduced the Baron automatic pipe filler in cartridges, which revolutionised pipe smoking and sold by the millions. In 1921, after the launch of Craven A, Carreras launched more brands such as Wall Arms, Piccadilly, and Turf. By 1927 the business had outgrown the Arcadia premises in City Road; the war had increased demand for cigarettes. In 1928, the famous Arcadia Works was opened in Mornington Crescent NW1, formerly a favourite residence of artists and writers. This building, which has become a major London landmark, was unusual in its design. It was the first factory in Britain to make use of pre-stressed concrete technology, and the first to contain air conditioning and a dust extraction plant. The company was also the first to provide full welfare services for its employees.[citation needed] The Arcadia Works was often visited by royalty, including the Duke of Windsor when he was the Prince of Wales, King George VI when he was the Duke of York, and the Duke of Kent. Many other important visitors from every part of the globe were entertained at Mornington Crescent. Leading to the entrance of the building were two large bronze cats.[3] Cast at the Haskins Foundry in London, these versions of the Egyptian god Bastet were each eight feet six inches tall and stood guard over Arcadia Works until 1959 when Carreras merged with Rothmans of Pall Mall and moved to a new factory in Basildon, Essex. The cats were separated, with one making the short journey to Essex, while the other went to be displayed outside the Carreras factory at Spanishtown, Jamaica.

Carreras Clubs cigarettes, 10 pack b
The antecedents of the Carreras business began trading in the eighteenth century (the company's products and advertising materials consistently bore the motto 'Established 1788'), and forebears of the founder’s family were Spanish apothecaries. The founder of the business was a Spanish nobleman, Don José Carreras Ferrer, who fought in the Peninsular War under the Duke of Wellington (1808–1814). After serving and receiving the highest military honours, it is believed he was obliged to leave Spain on account of his political views. In 1881, the first cigarette-making machine was patented in the United States by James Bonsack, and by 1883 one of the British manufacturers, W. D. & H. O. Wills, had pioneered the use of the Bonsack machine in England. Wills joined with twelve other companies to form the Imperial Tobacco Group, from which both Rothmans and Carreras chose to remain independent, and by 1901 the Bonsack machine, making 200 cigarettes a minute, was exclusively available only to members of this Group. Around this time another of the cigarette machine makers, Bernhard Baron, had returned to London from the United States in 1896 with a patent for a new machine which could make 450 cigarettes a minute. Baron's progress was watched with interest by Mr. Yapp who was by then running the Carreras business but who was keen to make cigarettes a paying venture. Having been unable to sell his machines to the newly formed Imperial Tobacco Company, which had a monopoly on the Bonsack machines, Yapp was able to negotiate a business arrangement with Baron in 1903. On 6 June 1903, Carreras became a public company with Yapp and Baron as directors and, under the leadership of Bernhard Baron, heralded the beginnings of competition for the Imperial Tobacco Group and the new American maker, James Buchanan Duke, who was also capturing large slices of the British market with Ogden’s Guinea Gold, the first Virginia cigarette made in England. The original Carreras prospectus was heavily criticised in the City press, but within a short time, the shares were fully subscribed, particularly by members of the tobacco trade, who saw potential in the new venture. The Baron family had a reputation as good employers who treated their staff well.[citation needed] Bernhard Baron would walk amongst his employees daily, enquiring after their families, and his son, Louis, and his grandson, Maurice, also made regular visits to the factory floor. A tradition developed that on Bernhard's birthday, each December, all employees were given two weeks' wages and a cake to take home. In 1904, an allied company was established. Called Carreras and Marcianus Ltd and operating from St James's Place, Aldgate EC3, the former Baron Machine Company works, the company’s purpose was to commence production of machine-made cigarettes. During the last six months of 1904 three brands made their debut, including Black Cat, the first cigarette in the United Kingdom to contain coupons that were redeemable for gifts. In 1905 yet more brands were introduced such as Chick, Jetty, and Sweet Kiss and Carreras began coupon trading in Black Cat. The business prospered and in 1906 additional premises were opened nearby, introducing new brands such as Carreras Ovals and Seven Up. Baron chose many novel schemes for the promotion of Carreras’ pipe tobacco and cigarette brands. In 1909, the company introduced the Baron automatic pipe filler in cartridges, which revolutionised pipe smoking and sold by the millions. In 1921, after the launch of Craven A, Carreras launched more brands such as Wall Arms, Piccadilly, and Turf. By 1927 the business had outgrown the Arcadia premises in City Road; the war had increased demand for cigarettes. In 1928, the famous Arcadia Works was opened in Mornington Crescent NW1, formerly a favourite residence of artists and writers. This building, which has become a major London landmark, was unusual in its design. It was the first factory in Britain to make use of pre-stressed concrete technology, and the first to contain air conditioning and a dust extraction plant. The company was also the first to provide full welfare services for its employees.[citation needed] The Arcadia Works was often visited by royalty, including the Duke of Windsor when he was the Prince of Wales, King George VI when he was the Duke of York, and the Duke of Kent. Many other important visitors from every part of the globe were entertained at Mornington Crescent. Leading to the entrance of the building were two large bronze cats.[3] Cast at the Haskins Foundry in London, these versions of the Egyptian god Bastet were each eight feet six inches tall and stood guard over Arcadia Works until 1959 when Carreras merged with Rothmans of Pall Mall and moved to a new factory in Basildon, Essex. The cats were separated, with one making the short journey to Essex, while the other went to be displayed outside the Carreras factory at Spanishtown, Jamaica.

Carreras Clubs cigarettes, 10 pack a
The antecedents of the Carreras business began trading in the eighteenth century (the company's products and advertising materials consistently bore the motto 'Established 1788'), and forebears of the founder’s family were Spanish apothecaries. The founder of the business was a Spanish nobleman, Don José Carreras Ferrer, who fought in the Peninsular War under the Duke of Wellington (1808–1814). After serving and receiving the highest military honours, it is believed he was obliged to leave Spain on account of his political views. In 1881, the first cigarette-making machine was patented in the United States by James Bonsack, and by 1883 one of the British manufacturers, W. D. & H. O. Wills, had pioneered the use of the Bonsack machine in England. Wills joined with twelve other companies to form the Imperial Tobacco Group, from which both Rothmans and Carreras chose to remain independent, and by 1901 the Bonsack machine, making 200 cigarettes a minute, was exclusively available only to members of this Group. Around this time another of the cigarette machine makers, Bernhard Baron, had returned to London from the United States in 1896 with a patent for a new machine which could make 450 cigarettes a minute. Baron's progress was watched with interest by Mr. Yapp who was by then running the Carreras business but who was keen to make cigarettes a paying venture. Having been unable to sell his machines to the newly formed Imperial Tobacco Company, which had a monopoly on the Bonsack machines, Yapp was able to negotiate a business arrangement with Baron in 1903. On 6 June 1903, Carreras became a public company with Yapp and Baron as directors and, under the leadership of Bernhard Baron, heralded the beginnings of competition for the Imperial Tobacco Group and the new American maker, James Buchanan Duke, who was also capturing large slices of the British market with Ogden’s Guinea Gold, the first Virginia cigarette made in England. The original Carreras prospectus was heavily criticised in the City press, but within a short time, the shares were fully subscribed, particularly by members of the tobacco trade, who saw potential in the new venture. The Baron family had a reputation as good employers who treated their staff well.[citation needed] Bernhard Baron would walk amongst his employees daily, enquiring after their families, and his son, Louis, and his grandson, Maurice, also made regular visits to the factory floor. A tradition developed that on Bernhard's birthday, each December, all employees were given two weeks' wages and a cake to take home. In 1904, an allied company was established. Called Carreras and Marcianus Ltd and operating from St James's Place, Aldgate EC3, the former Baron Machine Company works, the company’s purpose was to commence production of machine-made cigarettes. During the last six months of 1904 three brands made their debut, including Black Cat, the first cigarette in the United Kingdom to contain coupons that were redeemable for gifts. In 1905 yet more brands were introduced such as Chick, Jetty, and Sweet Kiss and Carreras began coupon trading in Black Cat. The business prospered and in 1906 additional premises were opened nearby, introducing new brands such as Carreras Ovals and Seven Up. Baron chose many novel schemes for the promotion of Carreras’ pipe tobacco and cigarette brands. In 1909, the company introduced the Baron automatic pipe filler in cartridges, which revolutionised pipe smoking and sold by the millions. In 1921, after the launch of Craven A, Carreras launched more brands such as Wall Arms, Piccadilly, and Turf. By 1927 the business had outgrown the Arcadia premises in City Road; the war had increased demand for cigarettes. In 1928, the famous Arcadia Works was opened in Mornington Crescent NW1, formerly a favourite residence of artists and writers. This building, which has become a major London landmark, was unusual in its design. It was the first factory in Britain to make use of pre-stressed concrete technology, and the first to contain air conditioning and a dust extraction plant. The company was also the first to provide full welfare services for its employees.[citation needed] The Arcadia Works was often visited by royalty, including the Duke of Windsor when he was the Prince of Wales, King George VI when he was the Duke of York, and the Duke of Kent. Many other important visitors from every part of the globe were entertained at Mornington Crescent. Leading to the entrance of the building were two large bronze cats.[3] Cast at the Haskins Foundry in London, these versions of the Egyptian god Bastet were each eight feet six inches tall and stood guard over Arcadia Works until 1959 when Carreras merged with Rothmans of Pall Mall and moved to a new factory in Basildon, Essex. The cats were separated, with one making the short journey to Essex, while the other went to be displayed outside the Carreras factory at Spanishtown, Jamaica.

Carreras Black Cat (modern) cigarettes, 10 pack a
The antecedents of the Carreras business began trading in the eighteenth century (the company's products and advertising materials consistently bore the motto 'Established 1788'), and forebears of the founder’s family were Spanish apothecaries. The founder of the business was a Spanish nobleman, Don José Carreras Ferrer, who fought in the Peninsular War under the Duke of Wellington (1808–1814). After serving and receiving the highest military honours, it is believed he was obliged to leave Spain on account of his political views. In 1881, the first cigarette-making machine was patented in the United States by James Bonsack, and by 1883 one of the British manufacturers, W. D. & H. O. Wills, had pioneered the use of the Bonsack machine in England. Wills joined with twelve other companies to form the Imperial Tobacco Group, from which both Rothmans and Carreras chose to remain independent, and by 1901 the Bonsack machine, making 200 cigarettes a minute, was exclusively available only to members of this Group. Around this time another of the cigarette machine makers, Bernhard Baron, had returned to London from the United States in 1896 with a patent for a new machine which could make 450 cigarettes a minute. Baron's progress was watched with interest by Mr. Yapp who was by then running the Carreras business but who was keen to make cigarettes a paying venture. Having been unable to sell his machines to the newly formed Imperial Tobacco Company, which had a monopoly on the Bonsack machines, Yapp was able to negotiate a business arrangement with Baron in 1903. On 6 June 1903, Carreras became a public company with Yapp and Baron as directors and, under the leadership of Bernhard Baron, heralded the beginnings of competition for the Imperial Tobacco Group and the new American maker, James Buchanan Duke, who was also capturing large slices of the British market with Ogden’s Guinea Gold, the first Virginia cigarette made in England. The original Carreras prospectus was heavily criticised in the City press, but within a short time, the shares were fully subscribed, particularly by members of the tobacco trade, who saw potential in the new venture. The Baron family had a reputation as good employers who treated their staff well.[citation needed] Bernhard Baron would walk amongst his employees daily, enquiring after their families, and his son, Louis, and his grandson, Maurice, also made regular visits to the factory floor. A tradition developed that on Bernhard's birthday, each December, all employees were given two weeks' wages and a cake to take home. In 1904, an allied company was established. Called Carreras and Marcianus Ltd and operating from St James's Place, Aldgate EC3, the former Baron Machine Company works, the company’s purpose was to commence production of machine-made cigarettes. During the last six months of 1904 three brands made their debut, including Black Cat, the first cigarette in the United Kingdom to contain coupons that were redeemable for gifts. In 1905 yet more brands were introduced such as Chick, Jetty, and Sweet Kiss and Carreras began coupon trading in Black Cat. The business prospered and in 1906 additional premises were opened nearby, introducing new brands such as Carreras Ovals and Seven Up. Baron chose many novel schemes for the promotion of Carreras’ pipe tobacco and cigarette brands. In 1909, the company introduced the Baron automatic pipe filler in cartridges, which revolutionised pipe smoking and sold by the millions. In 1921, after the launch of Craven A, Carreras launched more brands such as Wall Arms, Piccadilly, and Turf. By 1927 the business had outgrown the Arcadia premises in City Road; the war had increased demand for cigarettes. In 1928, the famous Arcadia Works was opened in Mornington Crescent NW1, formerly a favourite residence of artists and writers. This building, which has become a major London landmark, was unusual in its design. It was the first factory in Britain to make use of pre-stressed concrete technology, and the first to contain air conditioning and a dust extraction plant. The company was also the first to provide full welfare services for its employees.[citation needed] The Arcadia Works was often visited by royalty, including the Duke of Windsor when he was the Prince of Wales, King George VI when he was the Duke of York, and the Duke of Kent. Many other important visitors from every part of the globe were entertained at Mornington Crescent. Leading to the entrance of the building were two large bronze cats.[3] Cast at the Haskins Foundry in London, these versions of the Egyptian god Bastet were each eight feet six inches tall and stood guard over Arcadia Works until 1959 when Carreras merged with Rothmans of Pall Mall and moved to a new factory in Basildon, Essex. The cats were separated, with one making the short journey to Essex, while the other went to be displayed outside the Carreras factory at Spanishtown, Jamaica.

Favorite Channel Eagle Beach State Recreation Area ~ Juneau, Alaska
Looking West Favorite Channel is a channel in Southeast Alaska, northwest of Juneau, Alaska, United States. It is 16 mi long, extending northwest from Stephens Passage to Lynn Canal, separating Lincoln and Shelter islands from the mainland to the east. It was named in 1880 by U.S. Navy officers after the 80-foot steamboat Favorite (built in 1874), which was chartered by the Navy for surveying work in Alaska, later being used to carry out trading and fishing for the herring plant at Killisnoo. The first European to traverse and chart the channel was Joseph Whidbey, master of HMS Discovery during George Vancouver's 1791–95 expedition, in 1794.

mit Fatty George NFP 798 Gefährdete Mädchen (1958)
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IFB 4420 Kommisar Maigret stellt eine Falle -1958-mit Annie Girardot,Lino Ventura Buch George Simenon
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Georges Eekhoud - The New Carthage (1917, Duffield and Company, New York)
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Virna Lisi
Italian postcard. Seductive Italian actress Virna Lisi (1936-2014) appeared in more than 100 film and TV productions and was internationally best known as a tempting blue-eyed blonde in Hollywood productions of the 1960s. But she proved to be more than a pretty face. Later she had a career Renaissance with three-dimensional character parts in a wide variety of Italian and French. A triumph was her portrayal of a malevolent Catherine de Medici in La Reine Margot (1994) for which she won both the David di Donatello and the César awards. Virna Lisi was born as Virna Lisa Pieralisi in Ancona, Italy in 1936. Her brother, Ubaldo, later became a talent agent. Her sister was actress Esperia Pieralisi. Virna began her film career as a teenager. She was discovered by two Neapolitan producers (Antonio Ferrigno and Ettore Pesce) in Paris. Her debut was in La corda d'acciaio/The Line of Steel (Carlo Borghesio, 1953-1958). Initially, she did musical films, like in E Napoli canta/Napoli Sings (Armando Grottini, 1953) and the successful four-episode film Questa è la vita/Such is Life (Luigi Zampa a.o., 1954), with the popular Totò. Her looks were more valued than her talent in some of her early films, like in Le diciottenni/Eighteen Year Olds (Mario Mattoli, 1955) with Marisa Allasio, and Lo scapolo/The Bachelor (Antonio Pietrangeli, 1955) with Alberto Sordi. She incarnated more demanding roles in Il cardinale Lambertini/Cardinal Lambertini (Giorgio Pastina, 1954) opposite Gino Cervi, La Donna del Giorno/The Doll That Took the Town (Francesco Maselli, 1956), the Peplum Romolo e Remo/Duel of the Titans (Sergio Corbucci, 1961) featuring musclemen Steve Reeves and Gordon Scott as the two legendary brothers, and Eva/Eve (Joseph Losey, 1962) starring Jeanne Moreau. In the late 1950s, Lisi played on stage at the Piccolo Teatro di Milano, and appeared in 'I giacobini' by Federico Zardi, under the direction of Giorgio Strehler. During the 1960s, Lisi played in stage comedies and she also participated in some very popular dramatic television productions. On TV, she also promoted a toothpaste brand, with a slogan which would become a catchphrase amongst the Italians: "con quella bocca può dire ciò che vuole" (with such a mouth, she can say whatever she wants). In the 1960s, Hollywood producers were looking for a successor to Marilyn Monroe and so Virna Lisi made a dent in Hollywood comedies as a tempting blue-eyed blonde. She first starred opposite Jack Lemmon in George Axelrod’s satirical How to Murder Your Wife (Richard Quine, 1965). At IMDb, reviewer Mdantonio takes his hat off for her performance: “What most everyone fails to mention in the comments is the incredible skill of Virna Lisi. She is a natural mixing it up with Lemmon, (Claire) Trevor and the other veterans like she had been making movies for years. I have watched many movies in my day and I must say that Virna Lisi is right at the top, not only in beauty and sexuality but in carrying her role as good as anyone else could have. Ms. Lisi, my hat is off to you.” She also gained attention with the March 1965 cover of Esquire magazine on which she was shaving her face. The following year she appeared in another comedy, Not with My Wife, You Don't! (Norman Panama, 1966), now with Tony Curtis. She also starred with Frank Sinatra in Assault on a Queen (Jack Donohue. 1966), with Rod Steiger in La Ragazza e il Generale/The Girl and the General (Pasquale Festa Campanile, 1967), and twice with Anthony Quinn, in the war drama La vingt-cinquième heure/The 25th Hour (Henri Verneuil, 1967), and in The Secret of Santa Vittoria (Stanley Kramer, 1969). To overcome her typecasting as a sexy, seductive woman, Lisi sought new types of roles, and found these in such Italian comedies as Le bambole/Four Kinds of Love (Dino Risi a.o., 1965), Signore & signori/The Birds, the Bees and the Italians (Pietro Germi, 1966) and Le dolci signore/Anyone Can Play (Luigi Zampa, 1968), and Roma bene (Carlo Lizzani, 1971) with Senta Berger. At AllMovie, Robert Firsching reviews Signore & signori: “Pietro Germi's funny anthology combines the standard sex comedy format with some unexpectedly subtle observations about village life. The film centers on three stories exposing the sexual secrets of the Italian town of Treviso. (...) Signore e Signori won the Best Film award at the 1966 Cannes Film Festival.” In the early 1970s, Virna Lisi decided to focus on her family, husband Franco Pesci and her son Corrado, born in 1962. In the later 1970s she had a career renaissance with a series of major Italian films, including the Nietzsche biography Al di là del bene e del male/Beyond Good and Evil (Liliana Cavani, 1977) starring Dominique Sanda, Ernesto (Salvatore Samperi, 1979), La cicala/The Cricket (Alberto Lattuada, 1980), and I ragazzi di via Panisperna/The Boys of the Via Panisperna (Gianni Amelio, 1989) with Andrea Prodan and Mario Adorf. Prodan’s brother Luca is the singer of an Argentinean band, which later made a song for Lisi. A Brazilian rock band, Virna Lisi, is even named after her. Her greatest triumph was the French film La Reine Margot (Patrice Chéreau, 1994) in which Lisi played a malevolent Catherine de Medici, ordering assaults, poisonings, and instigations to incest. Karl Williams writes at AllMovie about the film: “The historical novel by Alexandre Dumas was adapted for the screen with this lavish French epic, winner of 5 Césars and a pair of awards at the Cannes Film Festival. Isabelle Adjani stars as Marguerite de Valois, better known as Margot, daughter of scheming Catholic power player Catherine de Medici (Virna Lisi).” For her magnificent portrayal Lisi won not only the César and Best Actress award in Cannes, but also the David di Donatello award, the Italian equivalent of the Oscar. From the late 1990s on, she did several successful dramatic TV productions, including L'onore e il rispetto/Honour and respect (Salvatore Samperi, 2006) with Gabriel Garko and Giancarlo Giannini. In 2002, Lisi starred in Il più bel giorno della mia vita/The Best Day of My Life (Cristina Comencini, and her final film was Latin Lover (Cristina Comencini, 2015), which was posthumously released. In 2014, she passed away in Rome at the age of 78. Virna Lisi was married to architect Franco Pesci and they had three grandchildren: Franco, Federico and Riccardo. Sources: Hal Erickson (AllMovie), Gary Brumburgh (IMDb), Glamour Girls of the Silver Screen, Wikipedia and IMDb. And, please check out our blog European Film Star Postcards.

Holy Russia, Moscow Architecture, Cathedral of the Nativity of the Blessed Virgin Mary of the Conception Convent (Zachatyevsky Stauropegial Monastery founded 1360, closed 1918, restored 1995), 2nd Zachatyevsky Lane, Khamovniki dt. Православнаѧ Црковь.
traveladventureeverywhere.blogspot.com/2020/08/holy-mosco... .. .. . . . . . . . . . . . . . . . . . . . . . . . . . . . ALBANIA Albanian Trilogy: A Series of Devious Stratagems Armando Lulaj Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale ANDORRA Inner Landscapes Roqué, Joan Xandri Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865 ANGOLA On Ways of Travelling António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810 ARGENTINA The Uprising of Form Juan Carlos Diste´fano Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi ARMENIA, Republic of Armenity / Haiyutioun Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni AUSTRALIA Fiona Hall: Wrong Way Time Fiona Hall Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini AUSTRIA Heimo Zobernig Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini AZERBAIJAN, Republic of Beyond the Line Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949 Vita Vitale Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416 BELARUS, Republic of War Witness Archive Konstantin Selikhanov Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145 BELGIUM Personnes et les autres Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini COSTA RICA "Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli". Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani CROATIA Studies on Shivering: The Third Degree Damir Ocko Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina CUBA El artista entre la individualidad y el contexto Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island CYPRUS, Republic of Two Days After Forever Christodoulos Panayiotou Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079 CZECH Republic and SLOVAK Republic Apotheosis Jirí David Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini ECUADOR Gold Water: Apocalyptic Black Mirrors Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701 ESTONIA NSFW. From the Abyss of History Jaanus Samma Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199 EGYPT CAN YOU SEE Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini FINLAND (Pavilion Alvar Aalto) Hours, Years, Aeons IC-98 Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini FRANCE revolutions Céleste Boursier-Mougenot Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini GEORGIA Crawling Border Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi GERMANY Fabrik Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini GREAT BRITAIN Sarah Lucas Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini GRENADA * Present Nearness Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919 GREECE Why Look at Animals? AGRIMIKÁ. Maria Papadimitriou Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini BRAZIL So much that it doesn't fit here Antonio Manuel, André Komatsu, Berna Reale Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini CANADA Canadassimo BGL Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini CHILE Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld Paz Errázuriz, Lotty Rosenfeld Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie CHINA, People’s Republic of Other Future LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini GUATEMALA Sweet Death Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani HOLY SEE Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi HUNGARY Sustainable Identities Szilárd Cseke Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini ICELAND Christoph Büchel Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed INDONESIA, Republic of Komodo Voyage Heri Dono Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale IRAN Iranian Highlights Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai The Great Game Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio IRAQ Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879 IRELAND Adventure: Capital Sean Lynch Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie ISRAEL Tsibi Geva | Archeology of the Present Tsibi Geva Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini ITALY Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale JAPAN The Key in the Hand Chiharu Shiota Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini KENYA Creating Identities Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island KOREA, Republic of The Ways of Folding Space & Flying MOON Kyungwon & JEON Joonho Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini KOSOVO, Republic of Speculating on the blue Flaka Haliti Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie LATVIA Armpit Katrina Neiburga, Andris Eglitis Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale LITHUANIA Museum Dainius Liškevicius Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro LUXEMBOURG, Grand Duchy of Paradiso Lussemburgo Filip Markiewicz Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052 MACEDONIA, Former Yugoslavian Republic of We are all in this alone Hristina Ivanoska and Yane Calovski Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi MAURITIUS * From One Citizen You Gather an Idea Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252 MEXICO Possesing Nature Tania Candiani, Luis Felipe Ortega Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi MONGOLIA * Other Home Enkhbold Togmidshiirev, Unen Enkh Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora MONTENEGRO ,,Ti ricordi Sjecaš li se You Remember " Aleksandar Duravcevic Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero MOZAMBIQUE, Republic of * Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique Mozambique Artists Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale NETHERLANDS, The herman de vries - to be all ways to be herman de vries Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini NEW ZEALAND Secret Power Simon Denny Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport NORDIC PAVILION (NORWAY) Camille Norment Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini PERU Misplaced Ruins Gilda Mantilla and Raimond Chaves Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi PHILIPPINES Tie a String Around the World Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora POLAND Halka/Haiti. 18°48’05”N 72°23’01”W C.T. Jasper, Joanna Malinowska Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini PORTUGAL I Will Be Your Mirror / poems and problems João Louro Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano ROMANIA Adrian Ghenie: Darwin’s Room Adrian Ghenie Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini Inventing the Truth. On Fiction and Reality Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice RUSSIA The Green Pavilion Irina Nakhova Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini SERBIA United Dead Nations Ivan Grubanov Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini SAN MARINO Repubblica di San Marino “ Friendship Project “ China Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC SEYCHELLES, Republic of * A Clockwork Sunset George Camille, Léon Wilma Loïs Radegonde Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora SINGAPORE Sea State Charles Lim Yi Yong Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi SLOVENIA, Republic of UTTER / The violent necessity for the embodied presence of hope JAŠA Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie SPAIN Los Sujetos (The Subjects) Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini SYRIAN ARAB REPUBLIC Origini della civiltà Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island SWEDEN Excavation of the Image: Imprint, Shadow, Spectre, Thought Lina Selander Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale SWITZERLAND Our Product Pamela Rosenkranz Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini THAILAND Earth, Air, Fire & Water Kamol Tassananchalee Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260 TURKEY Respiro Sarkis Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi TUVALU Crossing the Tide Vincent J.F. Huang Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale UKRAINE Hope! Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri UNITED ARAB EMIRATES 1980 – Today: Exhibitions in the United Arab Emirates Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi UNITED STATES OF AMERICA Joan Jonas: They Come to Us Without a Word Joan Jonas Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini URUGUAY Global Myopia II (Pencil & Paper) Marco Maggi Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini VENEZUELA, Bolivarian Republic of Te doy mi palabra (I give you my word) Argelia Bravo, Félix Molina (Flix) Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini ZIMBABWE, Republic of Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century. Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta ITALO-LATIN AMERICAN INSTITUTE Voces Indígenas Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale ARGENTINA Sofia Medici and Laura Kalauz PLURINATIONAL STATE OF BOLIVIA Sonia Falcone and José Laura Yapita BRAZIL Adriana Barreto Paulo Nazareth CHILE Rainer Krause COLOMBIA León David Cobo, María Cristina Rincón and Claudia Rodríguez COSTA RICA Priscilla Monge ECUADOR Fabiano Kueva EL SALVADOR Mauricio Kabistan GUATEMALA Sandra Monterroso HAITI Barbara Prézeau Stephenson HONDURAS Leonardo González PANAMA Humberto Vélez NICARAGUA Raúl Quintanilla PARAGUAY Erika Meza Javier López PERU José Huamán Turpo URUGUAY Gustavo Tabares Ellen Slegers 001 Inverso Mundus. AES+F Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960 May 9th – October 31st Organization: VITRARIA Glass + A Museum www.vitraria.com www.inversomundus.com Catalonia in Venice: Singularity Cantieri Navali, Castello, 40 (Calle Quintavalle) May 9th - November 22nd Organization: Institut Ramon Llull www.llull.cat venezia2015.llull.cat Conversion. Recycle Group Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin) May 6th - October 31st Organization: Moscow Museum of Modern Art www.mmoma.ru/ Dansaekhwa Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia) May 7th – August 15th Organization: The Boghossian Foundation www.villaempain.com Dispossession Palazzo Donà Brusa, Campo San Polo, 2177 May 9th - November 22nd Organization: European Capital of Culture Wroclaw 2016 wroclaw2016.pl/biennale/ EM15 presents Doug Fishbone’s Leisure Land Golf Arsenale Docks, Castello, 40A, 40B, 41C May 6th - July 26th Organization: EM15 www.em15venice.co.uk Eredità e Sperimentazione Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia May 9th - November 22nd Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova www.bioarchitettura.it Frontiers Reimagined Palazzo Grimani, Castello, 4858 (Ramo Grimani) May 9th - November 22nd Organization: Tagore Foundation International; Polo museale del Veneto www.frontiersreimagined.org Glasstress 2015 Gotika Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano; May 9th — November 22nd Organization: The State Hermitage Museum www.hermitagemuseum.org Graham Fagen: Scotland + Venice 2015 Palazzo Fontana, Cannaregio, 3829 (Strada Nova) May 9th - November 22nd Organization: Scotland + Venice www.scotlandandvenice.com Grisha Bruskin. An Archaeologist’s Collection Former Chiesa di Santa Caterina, Cannaregio, 4941-4942 May 6th – November 22nd Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia www.unive.it/csar Helen Sear, ... The Rest Is Smoke Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin) May 9th - November 22nd Organization: Cymru yn Fenis/Wales in Venice www.walesinvenice.org.uk Highway to Hell Palazzo Michiel, Cannaregio, 4391/A (Strada Nova) May 9th - November 22nd Organization: Hubei Museum of Art www.hbmoa.com Humanistic Nature and Society (Shan-Shui) – An Insight into the Future Palazzo Faccanon, San Marco, 5016 (Mercerie) May 7th – August 4th Organization: Shanghai Himalayas Museum www.himalayasmuseum.org In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia Dorsoduro, 417 (Zattere) May 6th - November 15th Organization: ArsCulture www.arsculture.org/ www.eyeofthunderstorm.com Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo) May 9th – June 30th; September 11st – October 31st Organization: Italian Art Motherboard Foundation (i-AM Foundation) www.i-amfoundation.org www.venicebiennale-italiadocet.org Jaume Plensa: Together Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore May 6th – November 22nd Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus www.praglia.it Jenny Holzer "War Paintings" Museo Correr, San Marco, 52 (Piazza San Marco) May 6th – November 22nd Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia www.writtenartfoundation.com correr.visitmuve.it Jump into the Unknown Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262 May 9th – June 18th Organization: Nine Dragon Heads 9dh-venice.com Learn from Masters Palazzo Bembo, San Marco, 4793 (Riva del Carbon) May 9th – November 22nd Organization: Pan Tianshou Foundation pantianshou.caa.edu.cn/foundation_en My East is Your West Palazzo Benzon, San Marco, 3927 May 6th – October 31st Organization: The Gujral Foundation www.gujralfoundation.org Ornamentalism. The Purvitis Prize Arsenale Nord, Tesa 99 May 9th – November 22nd Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015 www.purvisabalva.lv/en/ornamentalism Path and Adventure Arsenale, Castello, 2126/A (Campo della Tana) May 9th – November 22nd Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau www.iacm.gov.mo www.mam.gov.mo www.icm.gov.mo Patricia Cronin: Shrine for Girls, Venice Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo) May 9th – November 22nd Organization: Brooklyn Rail Curatorial Projects curatorialprojects.brooklynrail.org Roberto Sebastian Matta. Sculture Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin) May 9th – November 22nd Organization: Fondazione Echaurren Salaris www.fondazioneechaurrensalaris.it www.maggioregam.com/56Biennale_Matta Salon Suisse: S.O.S. Dada - The World Is A Mess Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese) May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st Organization: Swiss Arts Council Pro Helvetia www.prohelvetia.ch www.biennials.ch Sean Scully: Land Sea Palazzo Falier, San Marco, 2906 May 9th – November 22nd Organization: Fondazione Volume! www.fondazionevolume.com Sepphoris. Alessandro Valeri Molino Stucky, interior atrium, Giudecca, 812 May 9th – November 22nd Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin www.sepphorisproject.org Tesla Revisited Palazzo Nani Mocenigo, Dorsoduro, 960 May 9th – October 18th Organization: VITRARIA Glass + A Museum www.vitraria.com/ The Bridges of Graffiti Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo) May 9th - November 22nd Organization: Associazione Culturale Inossidabile www.inossidabileac.com The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice Palazzo Tiepolo Passi, San Polo, 2774 May 6th - November 22nd Organization: Fundaciò Artigas; ArsCulture www.fundacio-artigas.com/ www.arsculture.org/ www.dialogueoffire.org The Question of Beings Istituto Santa Maria della Pietà, Castello, 3701 May 9th - November 22nd Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei) www.mocataipei.org.tw The Revenge of the Common Place Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo) May 9th – September 30th Organization: Vrije Universiteit Brussel (Free University Brussels-VUB) www.vub.ac.be/ The Silver Lining. Contemporary Art from Liechtenstein and other Microstates Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese) October 24th – November 1st Organization: Kunstmuseum Liechtenstein www.kunstmuseum.li www.silverlining.li The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano) May 7th - November 22nd Organization: ArsCulture www.arsculture.org/ The Union of Fire and Water Palazzo Barbaro, San Marco, 2840 May 9th - November 22nd Organization: YARAT Contemporary Art Organisation www.yarat.az www.bakuvenice2015.com Thirty Light Years - Theatre of Chinese Art Palazzo Rossini, San Marco, 4013 (Campo Manin) May 9th - November 22nd Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art www.globalartcenter.org www.gdmoa.org Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice Arsenale, Castello, 2126 (Campo della Tana) May 9th - November 22nd Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council www.westkowloon.hk/en/mplus www.hkadc.org.hk www.venicebiennale.hk Under the Surface, Newfoundland and Labrador at Venice Galleria Ca' Rezzonico, Dorsoduro, 2793 May 9th - November 22nd Organization: Terra Nova Art Foundation tnaf.ca Ursula von Rydingsvard Giardino della Marinaressa, Castello (Riva dei Sette Martiri) May 6th - November 22nd Organization:Yorkshire Sculpture Park www.ysp.co.uk We Must Risk Delight: Twenty Artists from Los Angeles Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere) May 7th - November 22nd Organization: bardoLA www.bardoLA.org Wu Tien-Chang: Never Say Goodbye Palazzo delle Prigioni, Castello, 4209 (San Marco) May 9th - November 22nd Organization: Taipei Fine Arts Museum of Taiwan www.tfam.museum

Deputado Dr. George Lins (UB). Foto: Danilo Mello/Aleam
Manaus, AM 09/12/2024 – Deputados e deputadas participam da Sessão Ordinária compensatória desta segunda-feira (09), no Plenário Ruy Araújo. Foto: Danilo Mello/Aleam

121 Georges Richard 1902 & 224 Panhard & Levassor 1903 P1620281mods
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121 Georges Richard 1902 P1620283mods
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Bison Side-On - On Black
North American Bison (AKA 'Buffalo'). A project in black and white, and 16:9 aspect-ratio (AKA 'Widescreen'). More info on my blog: www.georgewheelhouse.com/post/north-american-bison

Widescreen Bison
North American Bison (AKA 'Buffalo'). A project in black and white, and 16:9 aspect-ratio (AKA 'Widescreen'). More info on my blog: www.georgewheelhouse.com/post/north-american-bison

Low-Key Bison Profile
North American Bison (AKA 'Buffalo'). A project in black and white, and 16:9 aspect-ratio (AKA 'Widescreen'). More info on my blog: www.georgewheelhouse.com/post/north-american-bison

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