What is better for a retaining wall, timber sleepers or blocks?

Treated timber is approved for in ground use and has a reasonable service life, however block retaining walls and concrete sleeper retaining walls are more durable having a greater life expectancy. This is based on suitable footings & good drainage. Both Blocks and concrete sleepers come in a wide range of colours, sizes and styles to create a more aesthetic landscape. Common styles of retainers walls to consider are timber sleep retaining walls, link wall or link block retaining walls and concrete sleeper walls

Should I pave or concrete?

While concrete certainly has its benefits, pavers give a more aesthetic finish to a landscape area. Pavers area available in range of colours, texture, styles and sizes. Larger format, 400mm and 500mm pavers have become increasingly popular with modern and contemporary landscape designs. Pavers are also commonly used for garden borders and edges for their straight line finish which is widely desired in modern landscape construction.

Do I need landscape design plans before I get a construction quote?

Yes. A landscape design will allow us to discuss the project with enough detail to allow for an accurate price estimate. This design process will also determine whether council approvals are required, which can impact cost and timing.

Call Our Local Landscaping Georges Hall Team

Elevate Lifestyle through All Green Gardening Landscaping Georges Hall Services. Imagine walking into a yard filled with lush greenery and blooming flowers. Notably, a landscaped yard offers a space for relaxation and peace of mind. Why settle for less when All Green Gardening Services can provide this serenity? Get in touch today, and let’s begin your landscaping journey.

Call 0410 196 069

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Looking for a Local Landscaper in Georges Hall? 🌱

To find a nearby landscaper, “Landscaper near me” is the commonly used search term. Look no further, we’re here! Our services encompass landscape garden maintenance, from retaining walls to outdoor space and garden design, as well as complete landscaping solutions.

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Georges Hall’s Best Landscaping Company Is Here

We offer both affordability and excellence in landscape design services, regardless of project size. Our team offers a complete solution for structural landscaping. We go beyond landscaping plans.

Local expertise, affordability, and our Best Price Guarantee define our services!

Discover NSW’s landscaping gem: All Green Gardening & Landscaping. Our mastery in paving, mulching, and turf laying breathes life into gardens, enhancing property values. For an outdoor transformation that captivates, choose us. Your garden’s potential awaits.

We also serve and have landscaping projects in the following surrounding suburbs:

The All Green Gardening Promise:

Versatile Services: Whether it’s turf laying or weeding, we’ve got it covered.
Boost Your Asset: Our services amplify your property’s aesthetics and worth.
Personalized Approach: Your garden’s uniqueness is matched with our custom solutions.
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Professional Excellence: Our seasoned team guarantees top-notch results.
Priority Service: Our clients are at the heart of what we do, ensuring quality and punctuality.

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Georges Hall Landscaping Services by All Green Gardening & Landscaping

Our expertise at All Green Gardening and Landscaping lies in crafting beautiful, organic landscapes that enhance both residential and commercial properties. Connect with us on our Facebook Page. Whether it’s backyard landscaping in Georges Hall or a more extensive project, our pledge remains consistent – exceptional customer service and professional Georges Hall landscaping. We engage in all aspects of residential and commercial landscaping services, working with our designers and installers, to bring your vision of your project to life.

For our larger design projects, we will send our licenced landscape designers to produce the best possible design for your space. We initiate the process with a site consultation. Our designers will talk over your project and establish the work scope. Once we’ve completed this process, you’ll get a thorough landscape design consultation.

Why Trust All Green Gardening & Landscaping? ⭐

Since 2010, we’ve been your trusted source for exceptional landscaping in Georges Hall. With our gardening and landscaping services, we offer a 100% Satisfaction Guarantee, assuring your happiness with our results.

Our experienced landscapers offer services so exceptional that when clients consider the Best Landscaper Nearby, our name immediately springs to mind.

Our Services

Turf Laying

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Paving

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Best Turf Laying Solutions in Georges Hall

Enhance Leisure Spaces with Turf Laying Services in Georges Hall. Furthermore, a well-laid turf can turn any outdoor space into a recreational area. Whether it’s for picnics or play, a grassy area enhances your quality of life. All Green Gardening Services ensures you get that luxury. Reach out today and upgrade your outdoor living.

Top-Quality Mulching Services: Best in Georges Hall, NSW

For gardens that resonate with health and beauty, trust All Green Gardening & Landscaping’s mulching services. Operating inGeorges Hall, NSW 2198, we provide mulching that enriches soil, curbs weeds, and beautifies spaces. Join hands with us for landscaping that truly stands out.

Our Paving Georges Hall Experts

In Georges Hall, if you desire top-quality pavers, All Green Gardening and Landscaping is the answer!

Need a Retaining Walls Georges Hall Team

Our commitment at Georges Hall is to furnish superior panel and post concrete retaining walls, an economical choice compared to brick and limestone.

Expert Tree Services inGeorges Hall

When it comes to top-notch tree services inGeorges Hall, All Green Gardening & Landscaping stands out. Our meticulous approach ensures the longevity, health, and safety of your trees. Let your garden thrive under our expert care.

Top-Tier Weeding Services in Georges Hall

A garden’s beauty is often overshadowed by weeds. But with All Green Gardening & Landscaping, gardens in Georges Hall can regain their charm. Our weeding services ensure landscapes are lush and free from distractions. Let’s create a garden paradise together.

Reliable Landscaping Services in Georges Hall NSW 2198

Frequently Asked Questions

{We offer a comprehensive range of landscaping services, including garden design, lawn maintenance, tree and shrub care, hardscape construction, irrigation system installation, and more. | We provide an extensive selection of landscaping services, including garden design, lawn care, tree and shrub maintenance, hardscape creation, irrigation system installation, and beyond.

We work to enrich your property’s aesthetics with landscaping services, forming enchanting outdoor spaces that increase curb appeal and property valuation.

Specializing in personalised landscaping, we ensure your outdoor space perfectly embodies your vision.

Current Landscaping Jobs in Georges Hall

If you’re a skilled Local Landscaper in Georges Hall, we want you for same-day tasks.

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1948 George VI Scottish shilling
Please be aware... Photos are just a hobby. I am not a coin / stamp expert. Posted titles are from my own recognition - what I was told - or from a quick search. No claim is being made of 100% accuracy, I make an effort to be as factual as possible. Some duplication may occur. Most items have little to no value. Your polite comments or corrections are always welcome.

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Window in the south west transept by William Wailes, 1849. Ely Cathedral is in the top rank of the great English cathedrals, and indeed earns its place among the best of medieval churches internationally for its unique architecture and astonishing beauty. It is a church I've visited several times over the years and never fails to impress, its form at once imposing and strikingly individual. Owing to the flatness of the surrounding countryside it is visible from afar as a major landmark, which makes approaching this tiny city all the more enticing. The church was founded as an abbey by St Etheldreda in 672 and didn't achieve cathedral status until the foundation of the diocese in 1109. Much of the present building dates from the following years, with the nave and transepts still substantially as they were built (aside from a few altered windows and later ceilings) and a fine example of Norman / Romanesque architecture. A little later during the 1170s the soaring west tower and western transepts were added which would have created a magnificent facade when complete and of a type rarely seen in this country. The style is richer with more use of ornamentation than before, but also many of the arches (particularly the upper parts of the tower) are pointed, making it an early example of the transition to Gothic (the octagonal top storey is from two centuries later, but follows the original overall plan in form, if not detail). The north-west transept however collapsed in the late 15th century and was never rebuilt, leaving the front of the cathedral will the curiously lopsided but not unattractive west front we see today. The Galilee porch that projects from the base of the tower dates from the beginning of the 13th century, only a few decades later but now fully Gothic in style. The Norman eastern limb had been fairly short so the next major building phases saw the great eastward extension of the presbytery built in Gothic style in 1234-50. It makes an interesting contrast with the earlier parts of the building being so rich in style, externally punctuated with pinnacles and flying buttresses and profusely ornamented withing, making the Romanesque nave and transepts seem somewhat austere by comparison. Then in 1321 an ambitious new lady chapel was begun at the north-east corner, but soon afterwards work was delayed by unforeseen events. In 1322 the old Norman central tower collapsed, bringing down with it most of the old Romanesque choir (but not the recently built presbytery beyond). The aftermath left the cathedral with a gaping hole at its heart, but this must have inspired those charged with its recovery, and under the direction of Alan of Walsingham the crossing was rebuilt in a unique way; rather than build a new tower of a similar form the central piers that supported it were entirely cleared away along with the adjoining bay of nave, transepts and choir to create a much larger octagonal central space. This then rose to become the unique central tower that Ely is so famous for, the Octagon, a combination of a lower octagonal tower built of stone crowned by a delicate lantern built of wood and covered with lead externally. The result is an incredible, piece of architecture, and the view inside of the open space rising to the curved vaults above on which the glazed lantern appears to float is unforgettable. After the Octagon and beautifully spacious and richly adorned Lady Chapel were completed there was no more major work at the cathedral. The transept roofs were replaced in the 15th century with the wooden hammerbeam structures we see today, adorned with large angel figures in the East Anglian tradition. The most significant late medieval additions are the two sumptuously decorated chantry chapels built within the end of each choir aisle, each a riot of later medieval ornament and Bishop West's also being remarkable for its fusion of Gothic and Renaissance detail. The cloister appears to have been rebuilt at a similar stage though sadly very little of it survives today. Sadly the Reformation saw a wave of iconoclasm of particular ferocity unleashed here in Ely. The most telling reminder is the Lady Chapel with its richly ornamented arcading carved with hundreds of small scenes and figures, all brutally beheaded (not a single head survives). Free standing statues in niches have all gone without trace, but in the case of Bishop West's chantry chapel the topmost figures were carved in relief, so these were hammered away leaving the mutilated remains as a testament to zealotry and intolerance. Most of the stained glass appears to have also been removed around this time, so there was surprisingly little damage here during the Civil War a century later as the Puritan frenzy had already been unleashed. A corner of the north transept collapsed in 1699 but was rebuilt almost identically, a rare early example of such an exacting approach to reconstruction. The classical form of a window and doorway below are the only reminders of the rebuilding, some say with advice from Christopher Wren whose uncle had been bishop here decades earlier (Wren knew the cathedral as a result, and the Octagon is believed to have inspired his plans for St Paul's, as the ground plans of the Octagon and his domed central space at St Paul's are remarkably similar). The cathedral saw further changes in the 18th century when the structure was in need of repair. James Essex was called in to repair the Octagon and the wooden lantern was stabilised but its external was appearance simplified by stripping away much of its original detail. The medieval choir stalls had originally sat directly underneath the Octagon with painted walls on either side, but these were removed at this time and the stalls relocated further east to the position they are in now. Sadly the Norman pulpitum screen at the end of the nave was also removed (the earliest of its kind to survive in any cathedral). By the mid 19th century tastes had changed again and the Victorian preference for richness over Georgian austerity saw the cathedral restored under the direction of George Gilbert Scott. He restored the Octagon lantern to something much closer to its original appearance and added new screens at the crossing and behind the altar. Stained glass gradually filled the cathedral again and it remains one of the richest collections of Victorian glass in the country. The ceiling of the nave which had been left plain for centuries was given a new richly painted finish with scenes from the Old & New Testaments, begun by Henry le Strange but finished by Thomas Gambier Parry after the former had died halfway through the project. Gambier Parry also undertook the lavish redecoration of the interior of the Octagon lantern. The cathedral has remained little changed since and is one of the rewarding in the country. There is much of beauty to enjoy here beyond the architecture, with many interesting tombs and monuments from the medieval and post-Reformation periods. There is a wealth of stained glass of unusual richness; not everyone appreciates Victorian glass (indeed Alec Clifton Taylor was quite scathing about the glass here) but while it is very mixed I find much of it is of remarkably high quality. Since 1972 the Stained Glass Museum has been housed in the nave triforium (originally on the north side, it was later transferred to the south where it currently remains). This is the only collection in the country solely devoted to the medium and is a great ambassador for it, with fine pieces covering a range of styles and illustrating the development of the art through the various backlit panels on show in the gallery. Visitors can usually take tours to ascend the Octagon and even the west tower on more select days. Tours do get booked up though so it took me many visits before I could make my ascent, but happily this time I finally managed it and it was a wonderful experience I won't forget. Frustratingly I was unable to ascend the west tower since I was at a symposium on the day when tours were held so I hope to have better luck next time. For more historical detail and context see below:- en.wikipedia.org/wiki/Ely_Cathedral For entry fees and tower tours see the cathedral's website below:- www.elycathedral.org/

March 2009 (57)
Window in the south west transept by William Wailes, 1849. Ely Cathedral is in the top rank of the great English cathedrals, and indeed earns its place among the best of medieval churches internationally for its unique architecture and astonishing beauty. It is a church I've visited several times over the years and never fails to impress, its form at once imposing and strikingly individual. Owing to the flatness of the surrounding countryside it is visible from afar as a major landmark, which makes approaching this tiny city all the more enticing. The church was founded as an abbey by St Etheldreda in 672 and didn't achieve cathedral status until the foundation of the diocese in 1109. Much of the present building dates from the following years, with the nave and transepts still substantially as they were built (aside from a few altered windows and later ceilings) and a fine example of Norman / Romanesque architecture. A little later during the 1170s the soaring west tower and western transepts were added which would have created a magnificent facade when complete and of a type rarely seen in this country. The style is richer with more use of ornamentation than before, but also many of the arches (particularly the upper parts of the tower) are pointed, making it an early example of the transition to Gothic (the octagonal top storey is from two centuries later, but follows the original overall plan in form, if not detail). The north-west transept however collapsed in the late 15th century and was never rebuilt, leaving the front of the cathedral will the curiously lopsided but not unattractive west front we see today. The Galilee porch that projects from the base of the tower dates from the beginning of the 13th century, only a few decades later but now fully Gothic in style. The Norman eastern limb had been fairly short so the next major building phases saw the great eastward extension of the presbytery built in Gothic style in 1234-50. It makes an interesting contrast with the earlier parts of the building being so rich in style, externally punctuated with pinnacles and flying buttresses and profusely ornamented withing, making the Romanesque nave and transepts seem somewhat austere by comparison. Then in 1321 an ambitious new lady chapel was begun at the north-east corner, but soon afterwards work was delayed by unforeseen events. In 1322 the old Norman central tower collapsed, bringing down with it most of the old Romanesque choir (but not the recently built presbytery beyond). The aftermath left the cathedral with a gaping hole at its heart, but this must have inspired those charged with its recovery, and under the direction of Alan of Walsingham the crossing was rebuilt in a unique way; rather than build a new tower of a similar form the central piers that supported it were entirely cleared away along with the adjoining bay of nave, transepts and choir to create a much larger octagonal central space. This then rose to become the unique central tower that Ely is so famous for, the Octagon, a combination of a lower octagonal tower built of stone crowned by a delicate lantern built of wood and covered with lead externally. The result is an incredible, piece of architecture, and the view inside of the open space rising to the curved vaults above on which the glazed lantern appears to float is unforgettable. After the Octagon and beautifully spacious and richly adorned Lady Chapel were completed there was no more major work at the cathedral. The transept roofs were replaced in the 15th century with the wooden hammerbeam structures we see today, adorned with large angel figures in the East Anglian tradition. The most significant late medieval additions are the two sumptuously decorated chantry chapels built within the end of each choir aisle, each a riot of later medieval ornament and Bishop West's also being remarkable for its fusion of Gothic and Renaissance detail. The cloister appears to have been rebuilt at a similar stage though sadly very little of it survives today. Sadly the Reformation saw a wave of iconoclasm of particular ferocity unleashed here in Ely. The most telling reminder is the Lady Chapel with its richly ornamented arcading carved with hundreds of small scenes and figures, all brutally beheaded (not a single head survives). Free standing statues in niches have all gone without trace, but in the case of Bishop West's chantry chapel the topmost figures were carved in relief, so these were hammered away leaving the mutilated remains as a testament to zealotry and intolerance. Most of the stained glass appears to have also been removed around this time, so there was surprisingly little damage here during the Civil War a century later as the Puritan frenzy had already been unleashed. A corner of the north transept collapsed in 1699 but was rebuilt almost identically, a rare early example of such an exacting approach to reconstruction. The classical form of a window and doorway below are the only reminders of the rebuilding, some say with advice from Christopher Wren whose uncle had been bishop here decades earlier (Wren knew the cathedral as a result, and the Octagon is believed to have inspired his plans for St Paul's, as the ground plans of the Octagon and his domed central space at St Paul's are remarkably similar). The cathedral saw further changes in the 18th century when the structure was in need of repair. James Essex was called in to repair the Octagon and the wooden lantern was stabilised but its external was appearance simplified by stripping away much of its original detail. The medieval choir stalls had originally sat directly underneath the Octagon with painted walls on either side, but these were removed at this time and the stalls relocated further east to the position they are in now. Sadly the Norman pulpitum screen at the end of the nave was also removed (the earliest of its kind to survive in any cathedral). By the mid 19th century tastes had changed again and the Victorian preference for richness over Georgian austerity saw the cathedral restored under the direction of George Gilbert Scott. He restored the Octagon lantern to something much closer to its original appearance and added new screens at the crossing and behind the altar. Stained glass gradually filled the cathedral again and it remains one of the richest collections of Victorian glass in the country. The ceiling of the nave which had been left plain for centuries was given a new richly painted finish with scenes from the Old & New Testaments, begun by Henry le Strange but finished by Thomas Gambier Parry after the former had died halfway through the project. Gambier Parry also undertook the lavish redecoration of the interior of the Octagon lantern. The cathedral has remained little changed since and is one of the rewarding in the country. There is much of beauty to enjoy here beyond the architecture, with many interesting tombs and monuments from the medieval and post-Reformation periods. There is a wealth of stained glass of unusual richness; not everyone appreciates Victorian glass (indeed Alec Clifton Taylor was quite scathing about the glass here) but while it is very mixed I find much of it is of remarkably high quality. Since 1972 the Stained Glass Museum has been housed in the nave triforium (originally on the north side, it was later transferred to the south where it currently remains). This is the only collection in the country solely devoted to the medium and is a great ambassador for it, with fine pieces covering a range of styles and illustrating the development of the art through the various backlit panels on show in the gallery. Visitors can usually take tours to ascend the Octagon and even the west tower on more select days. Tours do get booked up though so it took me many visits before I could make my ascent, but happily this time I finally managed it and it was a wonderful experience I won't forget. Frustratingly I was unable to ascend the west tower since I was at a symposium on the day when tours were held so I hope to have better luck next time. For more historical detail and context see below:- en.wikipedia.org/wiki/Ely_Cathedral For entry fees and tower tours see the cathedral's website below:- www.elycathedral.org/