The word is made flesh Children show scars like medals.
Lovers use them as secrets to reveal.
A scar is what happens when the word is made flesh.
It is easy to display a wound, the proud scars of combat.
It is hard to show a pimple.
in Book 1 - 1 of the favourite game of leonard C
1958 Bocar XP-5 I took this photograph at Britten's chicane during the 1950's Sports Racing Cars race at the Vintage Sports Car Club's meeting at Oulton Park in May 2005. It's Dean Butler's 1958 Bocar XP-5. The Bocar was a series of limited-production two-seaters developed by Bob Carnes in Lakewood Colorado starting with an experimental X-1 in 1958 which was followed by X-2 and X-3 examples and about five XP-4s. The first real production cars, begun in mid-1959 were the XP-5s which had a glass-reinforced polyester body surrounding a welded moly-tube space frame and a beefed-up Volkswagen rear suspension. The most common engine was a 283 cu in Corvette V8 unit. Dean Butler’s Bocar XP-5 was built by Bocar expert Doug Karon with Mustang front suspension, Jaguar rear suspension and a 383 cu in Chevrolet small block engine - but the programme of this event says the car has a 4,735cc engine, which equates to 299 cu in.
20250110_203658 Carne a la Piedra
PH0439 Authentic Indian-Mexican Recipes 1972 019 54258936391_a5a45d934b_b
PH0439 Authentic Indian-Mexican Recipes 1972 037 54258935786_ba9f9aa7af_b
PH0439 Authentic Indian-Mexican Recipes 1972 039 54259174359_cb8ef4996b_b
PH0439 Authentic Indian-Mexican Recipes 1972 043 54259359880_6d5b805d56_b
PH0439 Authentic Indian-Mexican Recipes 1972 059 54258935031_06493273a3_b
France Anglade French promotion card by Odilène, Paris.
Blonde French actress France Anglade (1942-2014) was the sweet and sexy star of many European comedies of the 1960s.
Marie-France Anglade was born in Constantine, France (now Algeria) in 1942. After the war, she grew up in Chalons-sur-Marne. In 1958 she spent the holidays with an aunt in Chelles where director Jean Delannoy made the external shots for his film Guinguette (1959) with Zizi Jeanmaire. An assistant noticed her there and France became an extra. Subsequently, she moved to Paris where she posed with Genevieve Grad for fashion photographs and advertisements for Elle magazine. As a result, she began a career in theatre and film. In 1961 her film career got on speed with parts in five films. She played the fiancée of Michel Auclair in Le rendez-vous de minuit/Midnight Meeting (Roger Leenhardt, 1961) starring Lili Palmer. She had small parts in three portmanteau (anthology) films, Amours célèbres/Famous Love Affairs (Michel Boisrond, 1961) with Brigitte Bardot and Alain Delon, Les parisiennes/Tales of Paris (Marc Allégret, 1962) starring Catherine Deneuve, and Les sept péchés capitaux/The Seven Deadly Sins (Edouard Molinaro, 1962) with Dany Saval. The following year she continued to play small parts in such French films as the erotic Douce Violence/Sweet Ecstasy (Max Pécas, 1962) with Elke Sommer and Pierre Brice, Comme un poisson dans l'eau/Like a Fish in Water (André Michel, 1962) starring Michel Piccoli, and La denunciation/The Immoral Moment (Jacques Doniol-Valcroze, 1962) with Maurice Ronet.
France Anglade had her first leading role in the TV comedy Le monsieur de 5 heures (André Pergament, 1962). She also appeared in small roles in such prestigious productions as the Oscar winner Les dimanches de Ville d'Avray/Sundays and Cybele (Serge Bourguignon, 1962) with Hardy Krüger as a man suffering from war trauma and amnesia who befriends a lonely little girl. Anglade found her niche in comedies. She played the title role in the comedy Clémentine chérie (Pierre Chevalier, 1963). Soon followed parts in other comedies like Les bricoleurs/Who Stole the Body? (Jean Girault, 1963) with Darry Cowl, Du mouron pour les petits oiseaux/Chicken Feed for Little Birds (Marcel Carné, 1963) with Dany Saval, and Les veinards/People in Luck (Jean Girault, 1963) opposite Jean Lefebvre. She also appeared in Italian comedies, including Le motorizzate/The Motorised (Marino Girolami, 1963) with Totò, and Canzoni bulli e pupe (Carlo Infascelli, 1964) with the Italian comic duo Franco Franchi and Ciccio Ingrassia. In Germany, she appeared in the Krimi spoof Maskenball bei Scotland Yard/Masked Ball at Scotland Yard (Domenico Paolella, 1963) starring Bill Ramsey. These were often European co-productions with several countries involved. She had grown into leading roles and starred in the romantic comedy Comment trouvez-vous ma soeur?/How Do You Like My Sister? (Michel Boisrond, 1964). In addition to her comedies, she played some dramatic roles such as in the war drama Le repas des fauves/Champagne for Savages (Christian-Jaque, 1964) with Antonella Lualdi.
In Italy France Anglade appeared in the spy spoof James Tont operazione D.U.E./The Wacky World of James Tont (Bruno Corbucci, 1965). After the success of the James Bond films, the Italians were among the first to jump on the Secret Agent bandwagon. They were also at the fore when it came to parody them. Two James Tont adventures emerged in 1965 (‘Tonto’ is Italian for ‘Dope’ (stupid)) featuring Sicilian comic Lando Buzzanca. Tont drives in a little Fiat which can double as a submarine. This film is the second entry – ‘D.U.E’. means ‘Two’, though the initials stand for ‘Destruction Urbi Eterna’. This refers to the Vatican, whose invaluable wealth the chief villain plans on stealing via an improbably elaborate plan which would even see the cupola of St. Peter’s flying into space! She then appeared in the British, Beirut-set thriller Twenty-Four Hours to Kill (Peter Bezencenet, 1965) starring Lex Barker and Mickey Rooney. In 1968 Life magazine placed a photo of her and a big gun in the magazine. She had auditioned for the new James Bond opus, On Her Majesty's Secret Service (Peter R. Hunt, 1969), but she never became a Bond girl. In the second half of the 1960s France Anglade only appeared in two films. She was one of the many beautiful European actresses who appeared in a sketch of the anthology film Le plus vieux métier du monde/The Oldest Profession (Claude Autant-Lara, 1967) about the history of prostitution through the ages, and she played the title role in the remake Caroline chérie/Dear Caroline (Denys de La Patellière, 1968). In the following decades, she sometimes appeared on French TV, and for long intervals, she seemed to be retired. She returned to the cinema in a supporting part in Madame Claude 2/Intimate Moments (François Mimet, 1981) starring Alexandra Stewart, a mediocre sequel to Just Jaeckin’s erotic thriller about a notorious Parisian madam. Later she appeared in the French-Senegalese coproduction Toubab Bi (Moussa Touré, 1991) and the thriller Money (Steven Hilliard Stern, 1991) starring Eric Stoltz. France Anglade’s last camera appearance was in the TV series Highlander (Peter Ellis, 1994) with Adrian Paul. France Anglade died in 2014 in La Verrière, Yvelines, France.
Sources: Mario Gauci (IMDb), Actrices de France, Life, Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards .
Mataderos, establos. Carne 54257523245_b401830a78_b
06.01.2025 - Fotos carnê IPTU Foto: Eduardo Merlino/PSA
06.01.2025 - Fotos carnê IPTU Foto: Eduardo Merlino/PSA
06.01.2025 - Fotos carnê IPTU Foto: Eduardo Merlino/PSA
06.01.2025 - Fotos carnê IPTU Foto: Eduardo Merlino/PSA
06.01.2025 - Fotos carnê IPTU Foto: Eduardo Merlino/PSA
France Anglade French promotion card by Odilène, Paris.
Blonde French actress France Anglade (1942-2014) was the sweet and sexy star of many European comedies of the 1960s.
Marie-France Anglade was born in Constantine, France (now Algeria) in 1942. After the war, she grew up in Chalons-sur-Marne. In 1958 she spent the holidays with an aunt in Chelles where director Jean Delannoy made the external shots for his film Guinguette (1959) with Zizi Jeanmaire. An assistant noticed her there and France became an extra. Subsequently, she moved to Paris where she posed with Genevieve Grad for fashion photographs and advertisements for Elle magazine. As a result, she began a career in theatre and film. In 1961 her film career got on speed with parts in five films. She played the fiancée of Michel Auclair in Le rendez-vous de minuit/Midnight Meeting (Roger Leenhardt, 1961) starring Lili Palmer. She had small parts in three portmanteau (anthology) films, Amours célèbres/Famous Love Affairs (Michel Boisrond, 1961) with Brigitte Bardot and Alain Delon, Les parisiennes/Tales of Paris (Marc Allégret, 1962) starring Catherine Deneuve, and Les sept péchés capitaux/The Seven Deadly Sins (Edouard Molinaro, 1962) with Dany Saval. The following year she continued to play small parts in such French films as the erotic Douce Violence/Sweet Ecstasy (Max Pécas, 1962) with Elke Sommer and Pierre Brice, Comme un poisson dans l'eau/Like a Fish in Water (André Michel, 1962) starring Michel Piccoli, and La denunciation/The Immoral Moment (Jacques Doniol-Valcroze, 1962) with Maurice Ronet.
France Anglade had her first leading role in the TV comedy Le monsieur de 5 heures (André Pergament, 1962). She also appeared in small roles in such prestigious productions as the Oscar winner Les dimanches de Ville d'Avray/Sundays and Cybele (Serge Bourguignon, 1962) with Hardy Krüger as a man suffering from war trauma and amnesia who befriends a lonely little girl. Anglade found her niche in comedies. She played the title role in the comedy Clémentine chérie (Pierre Chevalier, 1963). Soon followed parts in other comedies like Les bricoleurs/Who Stole the Body? (Jean Girault, 1963) with Darry Cowl, Du mouron pour les petits oiseaux/Chicken Feed for Little Birds (Marcel Carné, 1963) with Dany Saval, and Les veinards/People in Luck (Jean Girault, 1963) opposite Jean Lefebvre. She also appeared in Italian comedies, including Le motorizzate/The Motorised (Marino Girolami, 1963) with Totò, and Canzoni bulli e pupe (Carlo Infascelli, 1964) with the Italian comic duo Franco Franchi and Ciccio Ingrassia. In Germany, she appeared in the Krimi spoof Maskenball bei Scotland Yard/Masked Ball at Scotland Yard (Domenico Paolella, 1963) starring Bill Ramsey. These were often European co-productions with several countries involved. She had grown into leading roles and starred in the romantic comedy Comment trouvez-vous ma soeur?/How Do You Like My Sister? (Michel Boisrond, 1964). In addition to her comedies, she played some dramatic roles such as in the war drama Le repas des fauves/Champagne for Savages (Christian-Jaque, 1964) with Antonella Lualdi.
In Italy France Anglade appeared in the spy spoof James Tont operazione D.U.E./The Wacky World of James Tont (Bruno Corbucci, 1965). After the success of the James Bond films, the Italians were among the first to jump on the Secret Agent bandwagon. They were also at the fore when it came to parody them. Two James Tont adventures emerged in 1965 (‘Tonto’ is Italian for ‘Dope’ (stupid)) featuring Sicilian comic Lando Buzzanca. Tont drives in a little Fiat which can double as a submarine. This film is the second entry – ‘D.U.E’. means ‘Two’, though the initials stand for ‘Destruction Urbi Eterna’. This refers to the Vatican, whose invaluable wealth the chief villain plans on stealing via an improbably elaborate plan which would even see the cupola of St. Peter’s flying into space! She then appeared in the British, Beirut-set thriller Twenty-Four Hours to Kill (Peter Bezencenet, 1965) starring Lex Barker and Mickey Rooney. In 1968 Life magazine placed a photo of her and a big gun in the magazine. She had auditioned for the new James Bond opus, On Her Majesty's Secret Service (Peter R. Hunt, 1969), but she never became a Bond girl. In the second half of the 1960s France Anglade only appeared in two films. She was one of the many beautiful European actresses who appeared in a sketch of the anthology film Le plus vieux métier du monde/The Oldest Profession (Claude Autant-Lara, 1967) about the history of prostitution through the ages, and she played the title role in the remake Caroline chérie/Dear Caroline (Denys de La Patellière, 1968). In the following decades, she sometimes appeared on French TV, and for long intervals, she seemed to be retired. She returned to the cinema in a supporting part in Madame Claude 2/Intimate Moments (François Mimet, 1981) starring Alexandra Stewart, a mediocre sequel to Just Jaeckin’s erotic thriller about a notorious Parisian madam. Later she appeared in the French-Senegalese coproduction Toubab Bi (Moussa Touré, 1991) and the thriller Money (Steven Hilliard Stern, 1991) starring Eric Stoltz. France Anglade’s last camera appearance was in the TV series Highlander (Peter Ellis, 1994) with Adrian Paul. France Anglade died in 2014 in La Verrière, Yvelines, France.
Sources: Mario Gauci (IMDb), Actrices de France, Life, Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards .
Calhetas Oggi vi porto a pranzo in un'altra spiaggia dorata vicino a Recife: Calhetas, e, sentite, sentite, vi offrirò carne di pescecane! Sto scherzando, lungo tutta la costa del Pernambuco prolificano squali, così mi è venuto in mente quando ho realmente assaggiato la carne di pescecane: ero in uno dei miei primissimi imbarchi, appena ventenne, su una di quelle pericolose petroliere (due sono affondate portando con loro tutto l'equipaggio). Poichè la nave era vecchia e non veniva sottoposta ai controlli necessari (e obbligatori), quasi ad ogni traversata oceanica dovevamo fermarci per un giorno in mezzo all'oceano per rimettere in sesto i motori della Sala Macchine. Una volta, durante una sosta al largo di Bombay, vedemmo avvicinarsi uno squalo martello lungo poco più di un metro, il nostromo (vecchio ed abile pescatore) buttò in mare una lenza e qualche straccio bianco che attirarono il pescecane e dopo un pò il nostromo riuscì a tirarlo a bordo ed a legarlo vicino ad una bitta. Non vi racconto come lo uccise. Poi lo cucinò ed io, pensando che, prima o poi, potevo venir divorato da qualche squalo, pensai di essere io per primo a mangiare uno di loro. Un trancio vicino alla coda cucinato ai ferri. Era gustoso. Poi quando lo raccontai a casa mio dissero che era pericoloso perchè gli squali contengono mercurio. Ma a ventanni si è sani e forti e si può far di tutto
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Today I'm offering a lunch on another golden beach near Recife: Calhetas, and, listen to me, I'll offer you shark meat! I'm joking, sharks proliferate along the entire coast of Pernambuco, that's what came back to my mind when I really tasted shark meat: I was on one of my very first embarkations, at just twenty years old, on one of those dangerous oil tankers (two sank taking with them the entire crew). The ship was old and avoided any checks, almost every ocean crossing we had to stop for a day in the middle of the ocean to fix the engines in the Engine Room. Once, during a stop off the coast of Bombay, we saw a hammerhead shark just over a meter long, approaching the ship. The boatswain (an old and skilled fisherman) threw a fishing line and some white rags into the sea that attracted the shark and after a while he managed to pull it on board and tie it near a bollard. I won't tell you how he killed it. But then he cooked it and I, thinking that sooner or later I could be devoured by some shark, thought of being me to eat one of them first, a slice near the tail cooked on the grill. It was tasty. Then when I told my house they said it was dangerous because sharks contain mercury. But at twenty you are healthy and strong and you can do anything
France Anglade Vintage card.
Blonde French actress France Anglade (1942-2014) was the sweet and sexy star of many European comedies of the 1960s.
Marie-France Anglade was born in Constantine, France (now Algeria) in 1942. After the war, she grew up in Chalons-sur-Marne. In 1958 she spent the holidays with an aunt in Chelles where director Jean Delannoy made the external shots for his film Guinguette (1959) with Zizi Jeanmaire. An assistant noticed her there and France became an extra. Subsequently, she moved to Paris where she posed with Genevieve Grad for fashion photographs and advertisements for Elle magazine. As a result, she began a career in theatre and film. In 1961 her film career got on speed with parts in five films. She played the fiancée of Michel Auclair in Le rendez-vous de minuit/Midnight Meeting (Roger Leenhardt, 1961) starring Lili Palmer. She had small parts in three portmanteau (anthology) films, Amours célèbres/Famous Love Affairs (Michel Boisrond, 1961) with Brigitte Bardot and Alain Delon, Les parisiennes/Tales of Paris (Marc Allégret, 1962) starring Catherine Deneuve, and Les sept péchés capitaux/The Seven Deadly Sins (Edouard Molinaro, 1962) with Dany Saval. The following year she continued to play small parts in such French films as the erotic Douce Violence/Sweet Ecstasy (Max Pécas, 1962) with Elke Sommer and Pierre Brice, Comme un poisson dans l'eau/Like a Fish in Water (André Michel, 1962) starring Michel Piccoli, and La denunciation/The Immoral Moment (Jacques Doniol-Valcroze, 1962) with Maurice Ronet.
France Anglade had her first leading role in the TV comedy Le monsieur de 5 heures (André Pergament, 1962). She also appeared in small roles in such prestigious productions as the Oscar winner Les dimanches de Ville d'Avray/Sundays and Cybele (Serge Bourguignon, 1962) with Hardy Krüger as a man suffering from war trauma and amnesia who befriends a lonely little girl. Anglade found her niche in comedies. She played the title role in the comedy Clémentine chérie (Pierre Chevalier, 1963). Soon followed parts in other comedies like Les bricoleurs/Who Stole the Body? (Jean Girault, 1963) with Darry Cowl, Du mouron pour les petits oiseaux/Chicken Feed for Little Birds (Marcel Carné, 1963) with Dany Saval, and Les veinards/People in Luck (Jean Girault, 1963) opposite Jean Lefebvre. She also appeared in Italian comedies, including Le motorizzate/The Motorised (Marino Girolami, 1963) with Totò, and Canzoni bulli e pupe (Carlo Infascelli, 1964) with the Italian comic duo Franco Franchi and Ciccio Ingrassia. In Germany, she appeared in the Krimi spoof Maskenball bei Scotland Yard/Masked Ball at Scotland Yard (Domenico Paolella, 1963) starring Bill Ramsey. These were often European co-productions with several countries involved. She had grown into leading roles and starred in the romantic comedy Comment trouvez-vous ma soeur?/How Do You Like My Sister? (Michel Boisrond, 1964). In addition to her comedies, she played some dramatic roles such as in the war drama Le repas des fauves/Champagne for Savages (Christian-Jaque, 1964) with Antonella Lualdi.
In Italy France Anglade appeared in the spy spoof James Tont operazione D.U.E./The Wacky World of James Tont (Bruno Corbucci, 1965). After the success of the James Bond films, the Italians were among the first to jump on the Secret Agent bandwagon. They were also at the fore when it came to parody them. Two James Tont adventures emerged in 1965 (‘Tonto’ is Italian for ‘Dope’ (stupid)) featuring Sicilian comic Lando Buzzanca. Tont drives in a little Fiat which can double as a submarine. This film is the second entry – ‘D.U.E’. means ‘Two’, though the initials stand for ‘Destruction Urbi Eterna’. This refers to the Vatican, whose invaluable wealth the chief villain plans on stealing via an improbably elaborate plan which would even see the cupola of St. Peter’s flying into space! She then appeared in the British, Beirut-set thriller Twenty-Four Hours to Kill (Peter Bezencenet, 1965) starring Lex Barker and Mickey Rooney. In 1968 Life magazine placed a photo of her and a big gun in the magazine. She had auditioned for the new James Bond opus, On Her Majesty's Secret Service (Peter R. Hunt, 1969), but she never became a Bond girl. In the second half of the 1960s France Anglade only appeared in two films. She was one of the many beautiful European actresses who appeared in a sketch of the anthology film Le plus vieux métier du monde/The Oldest Profession (Claude Autant-Lara, 1967) about the history of prostitution through the ages, and she played the title role in the remake Caroline chérie/Dear Caroline (Denys de La Patellière, 1968). In the following decades, she sometimes appeared on French TV, and for long intervals, she seemed to be retired. She returned to the cinema in a supporting part in Madame Claude 2/Intimate Moments (François Mimet, 1981) starring Alexandra Stewart, a mediocre sequel to Just Jaeckin’s erotic thriller about a notorious Parisian madam. Later she appeared in the French-Senegalese coproduction Toubab Bi (Moussa Touré, 1991) and the thriller Money (Steven Hilliard Stern, 1991) starring Eric Stoltz. France Anglade’s last camera appearance was in the TV series Highlander (Peter Ellis, 1994) with Adrian Paul. France Anglade died in 2014 in La Verrière, Yvelines, France.
Sources: Mario Gauci (IMDb), Actrices de France, Life, Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards .
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