When my irrigation system comes on there is no pressure. What should I do?

Find the reticulation connection to the water mains. You will find a solenoid valve that has isolated the system from the mains. The valve has failed internally and is not opening fully. We recommend hiring an expert to replace it. If you have a bore, the pump or bore needs to be fixed by an expert.

What is better for a retaining wall, timber sleepers or blocks?

Treated timber is approved for in ground use and has a reasonable service life, however block retaining walls and concrete sleeper retaining walls are more durable having a greater life expectancy. This is based on suitable footings & good drainage. Both Blocks and concrete sleepers come in a wide range of colours, sizes and styles to create a more aesthetic landscape. Common styles of retainers walls to consider are timber sleep retaining walls, link wall or link block retaining walls and concrete sleeper walls

Should I pave or concrete?

While concrete certainly has its benefits, pavers give a more aesthetic finish to a landscape area. Pavers area available in range of colours, texture, styles and sizes. Larger format, 400mm and 500mm pavers have become increasingly popular with modern and contemporary landscape designs. Pavers are also commonly used for garden borders and edges for their straight line finish which is widely desired in modern landscape construction.

How do I maintain artificial grass?

Very little maintenance is required. Just sweep off any leaves or gently use a leaf blower. You can hose off any spills or pet messes. For pet solids, you just scoop up in the traditional way. You can hose or wipe down with cold water if required. To lift the fibres just use a broom to sweep in the opposite direction to your view point.

Do I need landscape design plans before I get a construction quote?

Yes. A landscape design will allow us to discuss the project with enough detail to allow for an accurate price estimate. This design process will also determine whether council approvals are required, which can impact cost and timing.

Gardener Wiley Park

In search of a capable gardener in Wiley Park? All Green Gardening and Landscaping is one stop for all your gardening and landscaping needs. At our service, we offer a range of tasks such as mulching, weeding, garden upkeep, and turfing, along with rubbish removal. With our outstanding services right in your neighborhood, we proudly rank among the top gardening contractors around.

Experienced gardeners ensure our lawn maintenance. Our dedication to details has always led to top-tier gardening outcomes.

Call 0410 196 069

Image describes garderner Sydney and gardener near you

Best Gardening Services Wiley Park Wide

Get a straightforward written estimate upfront for Wiley Park gardening services, no strings attached. For accurate pricing, we usually inspect the garden initially. Assessing the garden firsthand helps us understand its state, your needs, and offer budget-friendly quotes.

If you’re uncertain or your garden’s a mess, we’ll rescue it with a strategic execution plan. You’re spared from call-out fees, and we await your payment once our service meets your expectations. We charge for actual work time, avoiding any unnecessary extensions to the estimate.

Get expert garden care advice from our Wiley Park team, fully trained and ready to help you. The All Green Gardening and Landscaping crew is familiar with these details, and they’re here to assist further or provide a second opinion as needed.

Looking for a Gardener Near Me in Wiley Park?

In need of a reliable local gardening service? Booking garden care with us gives you flexibility, not only regarding the large service variety that we offer but also the scheduling options and the fact that no garden is too large or overgrown for us! Small backyard tidy or extensive lawn revival, we’ve got you covered. Turn to us for tidying gardens or rejuvenating old lawns.

When your garden feels like a chore, All Green Gardening and Landscaping can help. Our joy is intending to commercial and home gardens. We get genuine satisfaction from a clean, neat, and green garden!

Professional Gardener Services in Wiley Park

When designing a garden, it’s useful to know what plants will enjoy the soil and climate conditions, what width and height they will grow to, what water and nutrient needs they have, how much sun they will need, what pests will show up and how to deal with them if/when they do, bird and insect attraction, etc.

All Green Gardening ensures a garden design aligned with your requirements. Understanding your garden vision and effort level is key for us. The attention to detail we give to our designs is also reflected in our other garden services to give you complete confidence in the work we do for you. Our legacy of experience ensures trust from clients, year in and out. Reach out today or visit our Contact Us page for garden care assistance in Wiley Park.

Garden Care Wiley Park

Hours of tender care make gardens truly flourish and captivate. To attain that perfect look, regular maintenance is vital. To get the best results, you have to tend to the garden from mowing and weeding to fertilizing and improving the soil. Today, this is a prevalent problem among many homeowners. They would love a beautifully manicured lawn and garden but lack the time to grow or maintain them.

What started out as a labor of love soon turns into an obligation you just don’t have time to fulfill. And the longer you postpone taking care of a garden or lawn, the more time you will have to spend fixing it up. This is a situation where people fail to make the most of their outdoor space. Our deep-rooted experience sets the Wiley Park garden care team apart. All Green Gardening and Landscaping faces garden designs or pest challenges with a grin. Our proficiency covers design, plant care, and tackling garden challenges.

Garden Maintenance Wiley Park

It’s not straightforward to keep a garden pristine. It is a process, which requires regular upkeep, effort, and a lot of free time that not everyone has. Every garden is unique, so we provide bespoke gardening services. We amplify your garden’s beauty without a premium price tag. All of the technicians we work with are fully equipped with the right tools and machinery to complete the job.

Our experienced team understands how best to care for Wiley Park, NSW 2195 different types of grasses. We are armed with the right knowledge, professional approach, and well-maintained commercial ride-on mowing equipment designed to make light work of commercial mowing, acreage lawn mowing, and grass slashing.

Frequently Asked Questions

Locate the reticulation link to the water mains. There’s a solenoid valve that’s cut off the system from the mains. This valve is malfunctioning internally and isn’t fully open. An expert should be hired for replacement tasks.

While timber is ground-friendly, concrete and block walls are notably durable. A broad spectrum of colours and sizes in blocks and sleepers ensures beautiful landscapes. Common styles of retainer walls to consider are timber sleep retaining walls, link wall or link block retaining walls and concrete sleeper walls.

For an aesthetic uplift in landscaping, pavers trump concrete.

You won’t be burdened with heavy maintenance; a simple sweep or a leaf blower does the job. Dealing with spills or pet mess? Swiftly hose off or scoop in the usual manner. For a fiber lift, sweep counter to your view using a broom.

Absolutely. Through a landscape design, we can dive into project specifics, delivering an exact price estimate. Within our design process, we investigate the necessity for council approvals, potentially impacting both cost and timing.

Current Job Postings

Considering a role with the All Green Gardening & Landscaping Team? Email us your Job Interest. We’re in need of local landscapers and gardeners in Sydney, and these positions are open immediately.

jobs@allgreen-gardening-landscaping.com.au

A.T.S. Poole and Wiley
A.T.S. Poole and Wiley Photo by Don Wick

Boston - MFA: Kehinde Wiley's John, 1st Baron Byron
Kehinde Wiley’s John, 1st Baron Byron (2013) reimagines the traditional grand portrait, placing a young Black man in the pose of a wealthy, white noble to reclaim art historical space for those traditionally excluded. Inspired by a 17th-century portrait by William Dobson, Wiley subverts the classical form by situating his subject against a vibrant, Indian silk-inspired background. Wiley’s process begins in the streets of New York and Los Angeles, where he finds his subjects, remarking, “I know how young Black men are seen… I was one of them.” This bold work challenges conventions, celebrating visibility and individuality within a historically exclusive medium. The Museum of Fine Arts was founded in 1870 and relocated to its current neoclassical building designed by architect Guy Lowell at 465 Huntington Avenue in 1909. The museum's vast collection spans over 500,000 works of art, with highlights including ancient Egyptian artifacts, 18th- and 19th-century American art, French Impressionist and Post-Impressionist masterpieces, and a renowned collection of Asian art. Originally located in a Gothic Revival building in Copley Square, much of the museum’s early collection came from the Boston Athenaeum Art Gallery. Over the years, the museum expanded significantly, adding the Decorative Arts Wing in 1968, the Norman Jean Calderwood Garden Court and Terrace in 1997, and a modern Americas Wing in the mid-2000s designed by Foster and Partners.

20# An American Airship, The "Macon" the largest airships ever built.
In 1934, two two-seat Waco UBF XJW-1 biplanes equipped with skyhooks were delivered to USS Macon. In June 1934, Lieutenant Commander Herbert V. Wiley took command of the airship, and planned a high-profile demonstration of the ability of the Macon to successfully locate enemy ships at sea. In July, President Franklin D. Roosevelt was travelling aboard the heavy cruiser Houston to Hawaii, accompanied by the New Orleans. Despite the location of the ship being top secret (and having made a detour to Clipperton Island after transiting the Panama Canal), the Macon successfully located the ships on July 19. Using the Macon's Sparrowhawk biplanes, newspapers and magazines were dropped to the president on the ship Despite its success, Fleet Commander Admiral Joseph M. Reeves and other Navy officials were displeased with the unsanctioned demonstration. However, Rear Admiral Ernest J. King, who was in command of the Naval Bureau of Aviation, and the president were impressed. A communication from the Houston to the Macon after the mail delivery read: "from Houston: 1519 The President compliments you and your planes on your fine performance and excellent navigation 1210 and 1519 Well Done and thank you for the papers the President 1245." After leaving the Macon, Wiley was one of only three survivors of the crash of the Akron. He was later promoted to commander and captained the battleship West Virginia in the final two years of World War II. He retired from the Navy in 1947 as a rear admiral.

22# An American Airship, The "Macon" the largest airships ever built.
Crash: On 12 February 1935, the repair process was still incomplete when, returning to Sunnyvale from fleet maneuvers, Macon ran into a storm off Point Sur, California. During the storm, the ship was caught in a wind shear which caused structural failure of the unstrengthened ring (17.5) to which the upper tailfin was attached. The fin failed to the side and was carried away. Pieces of structure punctured the rear gas cells and caused gas leakage. The commander, acting rapidly and on fragmentary information, ordered an immediate and massive discharge of ballast. Control was lost and, tail heavy and with engines running full speed ahead, Macon rose past the pressure height of 2,800 ft (850 m), and kept rising until enough helium was vented to cancel the lift, reaching an altitude of 4,850 ft (1,480 m). The last SOS call from Commander Wiley stated "Will abandon ship as soon as we land on the water somewhere 20 miles off of Pt. Sur, probably 10 miles at sea." It took 20 minutes to descend and, settling gently into the sea, Macon sank off Monterey Bay. Only two crew members were lost thanks to the warm conditions and the introduction of life jackets and inflatable rafts after the Akron tragedy. Radioman 1st Class Ernest Edwin Dailey jumped ship while still too high above the ocean surface to survive the fall and Mess Attendant 1st Class Florentino Edquiba drowned while swimming back into the wreckage to try to retrieve personal belongings. An officer was rescued when Commander Wiley swam to his aid, an action for which he was later decorated. Sixty-four survivors were picked up by the cruiser Richmond, the cruiser Concord took 11 aboard and the cruiser Cincinnati saved six.

11th Mississippi Monument
0516-638-24 11th Mississippi Infantry Regiment Law's Brigade, Hood’s Division, Jackson’s Corps, Lee's Army of Northern Virginia C.S.A. Dedicated 2016 In their honor The men who carried this position were soldiers indeed Stonewall Jackson on this field June 28, 1862 Nearing 6:00 P.M. on June 27, 1862, Gen. Robert E. Lee sensed a critical situation in his stalled attack at Gaines’ Mill and ordered a last charge against the Federal line of General Porter’s V Corps above Boatswain’s Creek. Lee sent forward Gen. Whiting’s Division, consisting of Gen. Hood’s Texas Brigade and Col. Law’s Third Brigade. To the left of Gen. Longstreet s position. The 11th Mississippi, attached to Law’s Brigade, pushed toward the ravine without firing and, with fixed bayonets, toward Gen. Morell’s First Division on the upward slope. A soldier in Co. K. 11th Mississippi, recalled “the famous yell was raised that sent terror to Yankee hearts, and a charge began that broke every line in front of the Confederates.” The Union line collapsed when the Rebels stopped and fired point blank into the exhausted Federals, who retreated up the slope toward the plateau near the river. Whiting’s soldiers on the high ground then captured the better part of two Union regiments and fourteen pieces of artillery near the Watt House. The following evening, President Jefferson Davis visited the quarters of the 11th Mississippi and congratulated them on their victory, paying high compliments to their conspicuous gallantry. Companies of the 11th Mississippi A. University Greys University of Mississippi B. Coahoma Invincibles Friars Point C. Prairie Rifles Okolona D. Neshoba Rifles Philadelphia E. Prairie Guards Crawfordsville F. Noxubee Rifles Macon G. Lamar Rifles Oxford H. Chickasaw Guards Houston I. Van Dorn Reserves Aberdeen K. Carroll County Rifles Carrollton Men of the 11th Mississippi who were killed or died of wounds in this action Pvt. Henry Anthony, Co. A Pvt. Daniel O’Leary, Co. A 3rd Cpl. Robert Irvin, Co. B 2nd Lt. Thomas F. Nealy, Co. B Pvt. Lucius B. Smith, Co. B Pvt. George Matthews, Co. C Pvt. Henry L. Shannon, Co. C Pvt. James P. Wright, Co. C Pvt. Leonidas W. Burnside, Co. D Pvt. Bright R. Ham, Co. D Pvt. George W. Johnson, Jr., Co. D Pvt. Allen J. Lowry, Co. D Pvt. Wiley M. Warren, Co. D Pvt. James E. Halbert, Co. E Pvt. William J. Norwood, Co. E Pvt. John C. Brown, Co. F 5th Sgt. Andrew V. Connor, Co. F Pvt. Levi B. Windham, Co. F 5th Sgt. William E. Duncan, Co. G 1st Sgt. James R. Goodwin, Co. G Pvt. Jesse E. Hardgrove, Co. G Pvt. David B. Paine, Co. G Pvt. John F. Cockrell, Co. H Pvt. William K. Cook, Co. H Pvt. Jack J. Dulaney, Co. H Pvt. John Hellenthal, Co. H Pvt. Samuel H. Irby, Co. H Pvt. Robert T. Johnson, Co. H Pvt. Walter M. McBee, Co. H Pvt. George L. Reid, Co. H Pvt. Patrick H. Sims, Co. H Pvt. Charles J. Wilson, Co. H Pvt. Alexander D. Pope, Co. I Pvt. Joseph L. Davis, Co. K Pvt. James H. Gillespie, Co. K Pvt. Joseph S. Hoover, Co. K Pvt. William F. Julien, Co. K Pvt. Donald McDonald, Co. K Pvt. Newton A. McMath, Co. K Pvt. Ambrose M. Moore, Co. K Pvt. Thomas T. Moore, Co. K Capt. Pleasant A. Peebles, Co. K 1st Sgt. William W. Pennypacker, Co. K Pvt. Isham Pittman, Co. K Pvt. James H. Young, Co. K

Call for Children’s March for Survival: 1972
An 8 ½ x 11 color flyer issued by the Children’s March for Survival scheduled for March 25, 1972 in Washington, D.C. contains the symbol for the demonstration and information on the reverse side on the schedule of events and co-sponsors. The march circled the White House March 25, 1972 protesting planned cuts in social service safety net programs. U.S. Park police estimated that 10-15,000 attended the demonstration. The National Welfare Rights Organization principally sponsored the march, although it was endorsed by other organizations. Washington, D.C. schools came under intense criticism for permitting District school children to attend the march. Social safety net programs such as Aid to Families with Dependent Children (AFDC), Food Stamps and other minimal income measures were under attack by the Nixon administration and their allies in Congress. The NWRO was formed in the mid-1960s and was active from 1966-75, involving predominantly low-income African American women. This was the last major demonstration by the group. By 1972, a split developed in the organization with one tendency led by George Wiley advocating expanding the organization to the working poor and another tendency led by Johnnie Tillmon who advocated pursuing a black feminist agenda. In late 1972, Wiley resigned as Executive Director and Tillmon became the new ED ending the debate. The organization went bankrupt and ceased to exist in 1975. Food stamps restrictions were imposed by Congress in 1977 and again in the early 80s, although the program was later expanded. AFDC was effectively ended in 1996 and replaced with Temporary Assistance to Needy Families (TANF) which continues in existence today. For a PDF of this 8 ½ x 11, two-sided color flyer, see washingtonareaspark.com/wp-content/uploads/2024/12/1972-0... For more information and related images, see flic.kr/s/aHsjtXFH8s Original held in the American University Library -- Archives and Special Collections. Local Identifier SC_Frazier_F_0074a

241213-N-SS900-1003
241213-N-SS900-1003 NAVAL BASE POINT LOMA (Dec. 13, 2024) Capt. Will Wiley, commander, Submarine Squadron (CSS) 11, presents a Letter of Commendation to Phil Perry, from San Diego, Calif., during awards-at-quarters at Commander, Submarine Squadron 11, Dec. 13, 2024. CSS-11, home to five Los Angeles-class fast-attack submarines, which are capable of supporting various missions, including: anti-submarine warfare; anti-ship warfare; strike warfare; and intelligence, surveillance, and reconnaissance. (U.S. Navy photo by Mass Communication Specialist 1st Class Aaron T. Smith)

241213-N-SS900-1009
241213-N-SS900-1009 NAVAL BASE POINT LOMA (Dec. 13, 2024) Capt. Will Wiley, commander, Submarine Squadron (CSS) 11, presents a Meritorious Service Medal to Lt. Cmdr. Michael Ashley, operations officer, from Larned, Kan., during awards-at-quarters at Commander, Submarine Squadron 11, Dec. 13, 2024. CSS-11, home to five Los Angeles-class fast-attack submarines, which are capable of supporting various missions, including: anti-submarine warfare; anti-ship warfare; strike warfare; and intelligence, surveillance, and reconnaissance. (U.S. Navy photo by Mass Communication Specialist 1st Class Aaron T. Smith)

Generic, but historic
Sydney Trains Waratah Series 2 B40 arrives into Wiley Park on run 747H Liverpool service 15/9/24

F(inal) 1
Sydney Trains/ HET Red Set F1 makes a slow pass through Wiley Park on run 880F bound for Bankstown during the Bankstown Line Farewell Heritage trips 15/9/24

Hubbard High School
Rich soil, access to railway transportation and the discovery of hot mineral springs attracted travelers, merchants and settlers to Hubbard and the town quickly grew. In 1911, the city council saw a need for a public school system and later that year, the voters elected to use taxes to create and maintain the schools. Once the $20,000 bond was approved and executed, the architectural firm of Field and Clarkson was selected to design the high school. E. Stanley Field and Wiley G. Clarkson designed many public buildings before and after their partnership in Wichita Falls and Fort Worth, respectively. The architects as a team designed a three-story addition to the Fort Worth Stockyards Hotel and the Corsicana First National Bank building. The contractor for the high school was G.W. Brillhart of Abilene who was involved in the construction of the Foard County Courthouse in the Classic Revival style. Construction on the Hubbard High School began immediately and the school opened in 1914. The imposing two-story red brick and limestone structure was designed in the prairie style with Texas rural Georgian influences. Several notable persons attended this historic school, including Samuel D. Johnson, a judge for the Texas Supreme Court and then a federal judge for the Fifth Circuit Court of Appeals. This school was the only high school in Hubbard from 1914 to 1978, when a larger school was constructed. At that time, the school fell into disrepair. In the 1980s, a community group rescued the building and established a community center, genealogy center, museums, a library and the Tris Speaker Sports Museum. (2013) (Marker No. 17693)

Miranda Reed at Auburn University
Professor Miranda Reed (middle) and two members of her lab in the Harrison College of Pharmacy, doctoral student Miles Wiley (left) and master's student Emma Redmon, look through a microscope at an electrode.

Serpent Spectation
A group of people observes a sculpture, Kehinde Wiley’s reinterpretation of “Woman Bitten by a Serpent”, displayed on a dark platform in Musée d'Orsay. The statue depicts a reclining figure. The floor is light-toned, and visitors are casually dressed, indicating a busy exhibition space.

PXL_20241212_234804044 2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker
2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker Don’t miss this extraordinary night of music and art! RSVP at atlantacontemporary.org/.../wattage-bent-frequency Prepare to immerse yourself in an evening where art, music, and experimentation collide! Atlanta Contemporary is thrilled to host an electrifying performance featuring Bent Frequency—the Southeast’s premier contemporary music ensemble—and their esteemed guest performer, Ken Ueno, in a collaboration that promises to challenge the boundaries of sound, form, and artistic expression.Bent Frequency, led by percussionist Stuart Gerber and saxophonist Jan Berry Baker, has been a leader in Atlanta’s avant-garde music scene since 2003. Known for their commitment to diverse, socially conscious programming, they create immersive performances in unconventional venues. This event features new experimental works showcasing their adventurous spirit.Joining them is Ken Ueno, a visionary composer and performer recognized for his innovative vocal techniques and sound installations. His collaboration with Bent Frequency promises a thrilling blend of experimental sound and virtuosic musicianship. Ken Ueno is a composer, performer, sound artist, and scholar. Leading performers and ensembles around the world have championed Ueno’s music. His piece for the Hilliard Ensemble, Shiroi Ishi, was featured in their repertoire for over ten years. Another work, Pharmakon, was performed dozens of times nationally by Eighth Blackbird during their 2001-2003 seasons. A portrait concert of Ken’s was featured on MaerzMusik in Berlin in 2011. As a vocalist, Ueno is known for inventing extended techniques and has performed as a soloist in his vocal concerto with orchestras in Boston, New York, Warsaw, Vilnius, Bangkok, Sacramento, Stony Brook, Pittsburgh, North Carolina, and Berkeley. As a sound artist, his installations have been commissioned and exhibited by museums and galleries in Beijing, Guangzhou, Taipei, Mexico City, Art Basel, Los Angeles, and Hong Kong. One of his largest projects, Daedalus Drones, an installation (a fence-labyrinth housing a swarm of flying drones choreographed for performance with instrumentalists) was installed at the Asia Society of Hong Kong and featured on the New Vision Arts Festival in 2021. Ueno currently serves as a Professor at the University of California, Berkeley. His writings have been published by the Oxford Handbook, the New York Times, Palgrave Macmillan, and Wiley & Sons. His bio appears in The Grove Dictionary of American Music. www.kenueno.com

PXL_20241212_234641058 2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker
2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker Don’t miss this extraordinary night of music and art! RSVP at atlantacontemporary.org/.../wattage-bent-frequency Prepare to immerse yourself in an evening where art, music, and experimentation collide! Atlanta Contemporary is thrilled to host an electrifying performance featuring Bent Frequency—the Southeast’s premier contemporary music ensemble—and their esteemed guest performer, Ken Ueno, in a collaboration that promises to challenge the boundaries of sound, form, and artistic expression.Bent Frequency, led by percussionist Stuart Gerber and saxophonist Jan Berry Baker, has been a leader in Atlanta’s avant-garde music scene since 2003. Known for their commitment to diverse, socially conscious programming, they create immersive performances in unconventional venues. This event features new experimental works showcasing their adventurous spirit.Joining them is Ken Ueno, a visionary composer and performer recognized for his innovative vocal techniques and sound installations. His collaboration with Bent Frequency promises a thrilling blend of experimental sound and virtuosic musicianship. Ken Ueno is a composer, performer, sound artist, and scholar. Leading performers and ensembles around the world have championed Ueno’s music. His piece for the Hilliard Ensemble, Shiroi Ishi, was featured in their repertoire for over ten years. Another work, Pharmakon, was performed dozens of times nationally by Eighth Blackbird during their 2001-2003 seasons. A portrait concert of Ken’s was featured on MaerzMusik in Berlin in 2011. As a vocalist, Ueno is known for inventing extended techniques and has performed as a soloist in his vocal concerto with orchestras in Boston, New York, Warsaw, Vilnius, Bangkok, Sacramento, Stony Brook, Pittsburgh, North Carolina, and Berkeley. As a sound artist, his installations have been commissioned and exhibited by museums and galleries in Beijing, Guangzhou, Taipei, Mexico City, Art Basel, Los Angeles, and Hong Kong. One of his largest projects, Daedalus Drones, an installation (a fence-labyrinth housing a swarm of flying drones choreographed for performance with instrumentalists) was installed at the Asia Society of Hong Kong and featured on the New Vision Arts Festival in 2021. Ueno currently serves as a Professor at the University of California, Berkeley. His writings have been published by the Oxford Handbook, the New York Times, Palgrave Macmillan, and Wiley & Sons. His bio appears in The Grove Dictionary of American Music. www.kenueno.com

PXL_20241212_234638072 2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker
2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker Don’t miss this extraordinary night of music and art! RSVP at atlantacontemporary.org/.../wattage-bent-frequency Prepare to immerse yourself in an evening where art, music, and experimentation collide! Atlanta Contemporary is thrilled to host an electrifying performance featuring Bent Frequency—the Southeast’s premier contemporary music ensemble—and their esteemed guest performer, Ken Ueno, in a collaboration that promises to challenge the boundaries of sound, form, and artistic expression.Bent Frequency, led by percussionist Stuart Gerber and saxophonist Jan Berry Baker, has been a leader in Atlanta’s avant-garde music scene since 2003. Known for their commitment to diverse, socially conscious programming, they create immersive performances in unconventional venues. This event features new experimental works showcasing their adventurous spirit.Joining them is Ken Ueno, a visionary composer and performer recognized for his innovative vocal techniques and sound installations. His collaboration with Bent Frequency promises a thrilling blend of experimental sound and virtuosic musicianship. Ken Ueno is a composer, performer, sound artist, and scholar. Leading performers and ensembles around the world have championed Ueno’s music. His piece for the Hilliard Ensemble, Shiroi Ishi, was featured in their repertoire for over ten years. Another work, Pharmakon, was performed dozens of times nationally by Eighth Blackbird during their 2001-2003 seasons. A portrait concert of Ken’s was featured on MaerzMusik in Berlin in 2011. As a vocalist, Ueno is known for inventing extended techniques and has performed as a soloist in his vocal concerto with orchestras in Boston, New York, Warsaw, Vilnius, Bangkok, Sacramento, Stony Brook, Pittsburgh, North Carolina, and Berkeley. As a sound artist, his installations have been commissioned and exhibited by museums and galleries in Beijing, Guangzhou, Taipei, Mexico City, Art Basel, Los Angeles, and Hong Kong. One of his largest projects, Daedalus Drones, an installation (a fence-labyrinth housing a swarm of flying drones choreographed for performance with instrumentalists) was installed at the Asia Society of Hong Kong and featured on the New Vision Arts Festival in 2021. Ueno currently serves as a Professor at the University of California, Berkeley. His writings have been published by the Oxford Handbook, the New York Times, Palgrave Macmillan, and Wiley & Sons. His bio appears in The Grove Dictionary of American Music. www.kenueno.com

PXL_20241212_234635772 2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker
2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker Don’t miss this extraordinary night of music and art! RSVP at atlantacontemporary.org/.../wattage-bent-frequency Prepare to immerse yourself in an evening where art, music, and experimentation collide! Atlanta Contemporary is thrilled to host an electrifying performance featuring Bent Frequency—the Southeast’s premier contemporary music ensemble—and their esteemed guest performer, Ken Ueno, in a collaboration that promises to challenge the boundaries of sound, form, and artistic expression.Bent Frequency, led by percussionist Stuart Gerber and saxophonist Jan Berry Baker, has been a leader in Atlanta’s avant-garde music scene since 2003. Known for their commitment to diverse, socially conscious programming, they create immersive performances in unconventional venues. This event features new experimental works showcasing their adventurous spirit.Joining them is Ken Ueno, a visionary composer and performer recognized for his innovative vocal techniques and sound installations. His collaboration with Bent Frequency promises a thrilling blend of experimental sound and virtuosic musicianship. Ken Ueno is a composer, performer, sound artist, and scholar. Leading performers and ensembles around the world have championed Ueno’s music. His piece for the Hilliard Ensemble, Shiroi Ishi, was featured in their repertoire for over ten years. Another work, Pharmakon, was performed dozens of times nationally by Eighth Blackbird during their 2001-2003 seasons. A portrait concert of Ken’s was featured on MaerzMusik in Berlin in 2011. As a vocalist, Ueno is known for inventing extended techniques and has performed as a soloist in his vocal concerto with orchestras in Boston, New York, Warsaw, Vilnius, Bangkok, Sacramento, Stony Brook, Pittsburgh, North Carolina, and Berkeley. As a sound artist, his installations have been commissioned and exhibited by museums and galleries in Beijing, Guangzhou, Taipei, Mexico City, Art Basel, Los Angeles, and Hong Kong. One of his largest projects, Daedalus Drones, an installation (a fence-labyrinth housing a swarm of flying drones choreographed for performance with instrumentalists) was installed at the Asia Society of Hong Kong and featured on the New Vision Arts Festival in 2021. Ueno currently serves as a Professor at the University of California, Berkeley. His writings have been published by the Oxford Handbook, the New York Times, Palgrave Macmillan, and Wiley & Sons. His bio appears in The Grove Dictionary of American Music. www.kenueno.com

PXL_20241212_234607619 2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker
2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker Don’t miss this extraordinary night of music and art! RSVP at atlantacontemporary.org/.../wattage-bent-frequency Prepare to immerse yourself in an evening where art, music, and experimentation collide! Atlanta Contemporary is thrilled to host an electrifying performance featuring Bent Frequency—the Southeast’s premier contemporary music ensemble—and their esteemed guest performer, Ken Ueno, in a collaboration that promises to challenge the boundaries of sound, form, and artistic expression.Bent Frequency, led by percussionist Stuart Gerber and saxophonist Jan Berry Baker, has been a leader in Atlanta’s avant-garde music scene since 2003. Known for their commitment to diverse, socially conscious programming, they create immersive performances in unconventional venues. This event features new experimental works showcasing their adventurous spirit.Joining them is Ken Ueno, a visionary composer and performer recognized for his innovative vocal techniques and sound installations. His collaboration with Bent Frequency promises a thrilling blend of experimental sound and virtuosic musicianship. Ken Ueno is a composer, performer, sound artist, and scholar. Leading performers and ensembles around the world have championed Ueno’s music. His piece for the Hilliard Ensemble, Shiroi Ishi, was featured in their repertoire for over ten years. Another work, Pharmakon, was performed dozens of times nationally by Eighth Blackbird during their 2001-2003 seasons. A portrait concert of Ken’s was featured on MaerzMusik in Berlin in 2011. As a vocalist, Ueno is known for inventing extended techniques and has performed as a soloist in his vocal concerto with orchestras in Boston, New York, Warsaw, Vilnius, Bangkok, Sacramento, Stony Brook, Pittsburgh, North Carolina, and Berkeley. As a sound artist, his installations have been commissioned and exhibited by museums and galleries in Beijing, Guangzhou, Taipei, Mexico City, Art Basel, Los Angeles, and Hong Kong. One of his largest projects, Daedalus Drones, an installation (a fence-labyrinth housing a swarm of flying drones choreographed for performance with instrumentalists) was installed at the Asia Society of Hong Kong and featured on the New Vision Arts Festival in 2021. Ueno currently serves as a Professor at the University of California, Berkeley. His writings have been published by the Oxford Handbook, the New York Times, Palgrave Macmillan, and Wiley & Sons. His bio appears in The Grove Dictionary of American Music. www.kenueno.com

PXL_20241212_234603414 2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker
2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker Don’t miss this extraordinary night of music and art! RSVP at atlantacontemporary.org/.../wattage-bent-frequency Prepare to immerse yourself in an evening where art, music, and experimentation collide! Atlanta Contemporary is thrilled to host an electrifying performance featuring Bent Frequency—the Southeast’s premier contemporary music ensemble—and their esteemed guest performer, Ken Ueno, in a collaboration that promises to challenge the boundaries of sound, form, and artistic expression.Bent Frequency, led by percussionist Stuart Gerber and saxophonist Jan Berry Baker, has been a leader in Atlanta’s avant-garde music scene since 2003. Known for their commitment to diverse, socially conscious programming, they create immersive performances in unconventional venues. This event features new experimental works showcasing their adventurous spirit.Joining them is Ken Ueno, a visionary composer and performer recognized for his innovative vocal techniques and sound installations. His collaboration with Bent Frequency promises a thrilling blend of experimental sound and virtuosic musicianship. Ken Ueno is a composer, performer, sound artist, and scholar. Leading performers and ensembles around the world have championed Ueno’s music. His piece for the Hilliard Ensemble, Shiroi Ishi, was featured in their repertoire for over ten years. Another work, Pharmakon, was performed dozens of times nationally by Eighth Blackbird during their 2001-2003 seasons. A portrait concert of Ken’s was featured on MaerzMusik in Berlin in 2011. As a vocalist, Ueno is known for inventing extended techniques and has performed as a soloist in his vocal concerto with orchestras in Boston, New York, Warsaw, Vilnius, Bangkok, Sacramento, Stony Brook, Pittsburgh, North Carolina, and Berkeley. As a sound artist, his installations have been commissioned and exhibited by museums and galleries in Beijing, Guangzhou, Taipei, Mexico City, Art Basel, Los Angeles, and Hong Kong. One of his largest projects, Daedalus Drones, an installation (a fence-labyrinth housing a swarm of flying drones choreographed for performance with instrumentalists) was installed at the Asia Society of Hong Kong and featured on the New Vision Arts Festival in 2021. Ueno currently serves as a Professor at the University of California, Berkeley. His writings have been published by the Oxford Handbook, the New York Times, Palgrave Macmillan, and Wiley & Sons. His bio appears in The Grove Dictionary of American Music. www.kenueno.com

PXL_20241212_234401205 2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker
2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker Don’t miss this extraordinary night of music and art! RSVP at atlantacontemporary.org/.../wattage-bent-frequency Prepare to immerse yourself in an evening where art, music, and experimentation collide! Atlanta Contemporary is thrilled to host an electrifying performance featuring Bent Frequency—the Southeast’s premier contemporary music ensemble—and their esteemed guest performer, Ken Ueno, in a collaboration that promises to challenge the boundaries of sound, form, and artistic expression.Bent Frequency, led by percussionist Stuart Gerber and saxophonist Jan Berry Baker, has been a leader in Atlanta’s avant-garde music scene since 2003. Known for their commitment to diverse, socially conscious programming, they create immersive performances in unconventional venues. This event features new experimental works showcasing their adventurous spirit.Joining them is Ken Ueno, a visionary composer and performer recognized for his innovative vocal techniques and sound installations. His collaboration with Bent Frequency promises a thrilling blend of experimental sound and virtuosic musicianship. Ken Ueno is a composer, performer, sound artist, and scholar. Leading performers and ensembles around the world have championed Ueno’s music. His piece for the Hilliard Ensemble, Shiroi Ishi, was featured in their repertoire for over ten years. Another work, Pharmakon, was performed dozens of times nationally by Eighth Blackbird during their 2001-2003 seasons. A portrait concert of Ken’s was featured on MaerzMusik in Berlin in 2011. As a vocalist, Ueno is known for inventing extended techniques and has performed as a soloist in his vocal concerto with orchestras in Boston, New York, Warsaw, Vilnius, Bangkok, Sacramento, Stony Brook, Pittsburgh, North Carolina, and Berkeley. As a sound artist, his installations have been commissioned and exhibited by museums and galleries in Beijing, Guangzhou, Taipei, Mexico City, Art Basel, Los Angeles, and Hong Kong. One of his largest projects, Daedalus Drones, an installation (a fence-labyrinth housing a swarm of flying drones choreographed for performance with instrumentalists) was installed at the Asia Society of Hong Kong and featured on the New Vision Arts Festival in 2021. Ueno currently serves as a Professor at the University of California, Berkeley. His writings have been published by the Oxford Handbook, the New York Times, Palgrave Macmillan, and Wiley & Sons. His bio appears in The Grove Dictionary of American Music. www.kenueno.com

PXL_20241212_234406851 2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker
2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker Don’t miss this extraordinary night of music and art! RSVP at atlantacontemporary.org/.../wattage-bent-frequency Prepare to immerse yourself in an evening where art, music, and experimentation collide! Atlanta Contemporary is thrilled to host an electrifying performance featuring Bent Frequency—the Southeast’s premier contemporary music ensemble—and their esteemed guest performer, Ken Ueno, in a collaboration that promises to challenge the boundaries of sound, form, and artistic expression.Bent Frequency, led by percussionist Stuart Gerber and saxophonist Jan Berry Baker, has been a leader in Atlanta’s avant-garde music scene since 2003. Known for their commitment to diverse, socially conscious programming, they create immersive performances in unconventional venues. This event features new experimental works showcasing their adventurous spirit.Joining them is Ken Ueno, a visionary composer and performer recognized for his innovative vocal techniques and sound installations. His collaboration with Bent Frequency promises a thrilling blend of experimental sound and virtuosic musicianship. Ken Ueno is a composer, performer, sound artist, and scholar. Leading performers and ensembles around the world have championed Ueno’s music. His piece for the Hilliard Ensemble, Shiroi Ishi, was featured in their repertoire for over ten years. Another work, Pharmakon, was performed dozens of times nationally by Eighth Blackbird during their 2001-2003 seasons. A portrait concert of Ken’s was featured on MaerzMusik in Berlin in 2011. As a vocalist, Ueno is known for inventing extended techniques and has performed as a soloist in his vocal concerto with orchestras in Boston, New York, Warsaw, Vilnius, Bangkok, Sacramento, Stony Brook, Pittsburgh, North Carolina, and Berkeley. As a sound artist, his installations have been commissioned and exhibited by museums and galleries in Beijing, Guangzhou, Taipei, Mexico City, Art Basel, Los Angeles, and Hong Kong. One of his largest projects, Daedalus Drones, an installation (a fence-labyrinth housing a swarm of flying drones choreographed for performance with instrumentalists) was installed at the Asia Society of Hong Kong and featured on the New Vision Arts Festival in 2021. Ueno currently serves as a Professor at the University of California, Berkeley. His writings have been published by the Oxford Handbook, the New York Times, Palgrave Macmillan, and Wiley & Sons. His bio appears in The Grove Dictionary of American Music. www.kenueno.com2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker Don’t miss this extraordinary night of music and art! RSVP at atlantacontemporary.org/.../wattage-bent-frequency Prepare to immerse yourself in an evening where art, music, and experimentation collide! Atlanta Contemporary is thrilled to host an electrifying performance featuring Bent Frequency—the Southeast’s premier contemporary music ensemble—and their esteemed guest performer, Ken Ueno, in a collaboration that promises to challenge the boundaries of sound, form, and artistic expression.Bent Frequency, led by percussionist Stuart Gerber and saxophonist Jan Berry Baker, has been a leader in Atlanta’s avant-garde music scene since 2003. Known for their commitment to diverse, socially conscious programming, they create immersive performances in unconventional venues. This event features new experimental works showcasing their adventurous spirit.Joining them is Ken Ueno, a visionary composer and performer recognized for his innovative vocal techniques and sound installations. His collaboration with Bent Frequency promises a thrilling blend of experimental sound and virtuosic musicianship. Ken Ueno is a composer, performer, sound artist, and scholar. Leading performers and ensembles around the world have championed Ueno’s music. His piece for the Hilliard Ensemble, Shiroi Ishi, was featured in their repertoire for over ten years. Another work, Pharmakon, was performed dozens of times nationally by Eighth Blackbird during their 2001-2003 seasons. A portrait concert of Ken’s was featured on MaerzMusik in Berlin in 2011. As a vocalist, Ueno is known for inventing extended techniques and has performed as a soloist in his vocal concerto with orchestras in Boston, New York, Warsaw, Vilnius, Bangkok, Sacramento, Stony Brook, Pittsburgh, North Carolina, and Berkeley. As a sound artist, his installations have been commissioned and exhibited by museums and galleries in Beijing, Guangzhou, Taipei, Mexico City, Art Basel, Los Angeles, and Hong Kong. One of his largest projects, Daedalus Drones, an installation (a fence-labyrinth housing a swarm of flying drones choreographed for performance with instrumentalists) was installed at the Asia Society of Hong Kong and featured on the New Vision Arts Festival in 2021. Ueno currently serves as a Professor at the University of California, Berkeley. His writings have been published by the Oxford Handbook, the New York Times, Palgrave Macmillan, and Wiley & Sons. His bio appears in The Grove Dictionary of American Music. www.kenueno.com

PXL_20241212_234235279 2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker
2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker Don’t miss this extraordinary night of music and art! RSVP at atlantacontemporary.org/.../wattage-bent-frequency Prepare to immerse yourself in an evening where art, music, and experimentation collide! Atlanta Contemporary is thrilled to host an electrifying performance featuring Bent Frequency—the Southeast’s premier contemporary music ensemble—and their esteemed guest performer, Ken Ueno, in a collaboration that promises to challenge the boundaries of sound, form, and artistic expression.Bent Frequency, led by percussionist Stuart Gerber and saxophonist Jan Berry Baker, has been a leader in Atlanta’s avant-garde music scene since 2003. Known for their commitment to diverse, socially conscious programming, they create immersive performances in unconventional venues. This event features new experimental works showcasing their adventurous spirit.Joining them is Ken Ueno, a visionary composer and performer recognized for his innovative vocal techniques and sound installations. His collaboration with Bent Frequency promises a thrilling blend of experimental sound and virtuosic musicianship. Ken Ueno is a composer, performer, sound artist, and scholar. Leading performers and ensembles around the world have championed Ueno’s music. His piece for the Hilliard Ensemble, Shiroi Ishi, was featured in their repertoire for over ten years. Another work, Pharmakon, was performed dozens of times nationally by Eighth Blackbird during their 2001-2003 seasons. A portrait concert of Ken’s was featured on MaerzMusik in Berlin in 2011. As a vocalist, Ueno is known for inventing extended techniques and has performed as a soloist in his vocal concerto with orchestras in Boston, New York, Warsaw, Vilnius, Bangkok, Sacramento, Stony Brook, Pittsburgh, North Carolina, and Berkeley. As a sound artist, his installations have been commissioned and exhibited by museums and galleries in Beijing, Guangzhou, Taipei, Mexico City, Art Basel, Los Angeles, and Hong Kong. One of his largest projects, Daedalus Drones, an installation (a fence-labyrinth housing a swarm of flying drones choreographed for performance with instrumentalists) was installed at the Asia Society of Hong Kong and featured on the New Vision Arts Festival in 2021. Ueno currently serves as a Professor at the University of California, Berkeley. His writings have been published by the Oxford Handbook, the New York Times, Palgrave Macmillan, and Wiley & Sons. His bio appears in The Grove Dictionary of American Music. www.kenueno.com

PXL_20241212_234051563 2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker
2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker Don’t miss this extraordinary night of music and art! RSVP at atlantacontemporary.org/.../wattage-bent-frequency Prepare to immerse yourself in an evening where art, music, and experimentation collide! Atlanta Contemporary is thrilled to host an electrifying performance featuring Bent Frequency—the Southeast’s premier contemporary music ensemble—and their esteemed guest performer, Ken Ueno, in a collaboration that promises to challenge the boundaries of sound, form, and artistic expression.Bent Frequency, led by percussionist Stuart Gerber and saxophonist Jan Berry Baker, has been a leader in Atlanta’s avant-garde music scene since 2003. Known for their commitment to diverse, socially conscious programming, they create immersive performances in unconventional venues. This event features new experimental works showcasing their adventurous spirit.Joining them is Ken Ueno, a visionary composer and performer recognized for his innovative vocal techniques and sound installations. His collaboration with Bent Frequency promises a thrilling blend of experimental sound and virtuosic musicianship. Ken Ueno is a composer, performer, sound artist, and scholar. Leading performers and ensembles around the world have championed Ueno’s music. His piece for the Hilliard Ensemble, Shiroi Ishi, was featured in their repertoire for over ten years. Another work, Pharmakon, was performed dozens of times nationally by Eighth Blackbird during their 2001-2003 seasons. A portrait concert of Ken’s was featured on MaerzMusik in Berlin in 2011. As a vocalist, Ueno is known for inventing extended techniques and has performed as a soloist in his vocal concerto with orchestras in Boston, New York, Warsaw, Vilnius, Bangkok, Sacramento, Stony Brook, Pittsburgh, North Carolina, and Berkeley. As a sound artist, his installations have been commissioned and exhibited by museums and galleries in Beijing, Guangzhou, Taipei, Mexico City, Art Basel, Los Angeles, and Hong Kong. One of his largest projects, Daedalus Drones, an installation (a fence-labyrinth housing a swarm of flying drones choreographed for performance with instrumentalists) was installed at the Asia Society of Hong Kong and featured on the New Vision Arts Festival in 2021. Ueno currently serves as a Professor at the University of California, Berkeley. His writings have been published by the Oxford Handbook, the New York Times, Palgrave Macmillan, and Wiley & Sons. His bio appears in The Grove Dictionary of American Music. www.kenueno.com

PXL_20241212_234036317 2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker
2024-12-12 Bent Frequency n Ken Ueno WATTAGE Atlanta Contemporary Stuart Gerber Jan Berry Baker Don’t miss this extraordinary night of music and art! RSVP at atlantacontemporary.org/.../wattage-bent-frequency Prepare to immerse yourself in an evening where art, music, and experimentation collide! Atlanta Contemporary is thrilled to host an electrifying performance featuring Bent Frequency—the Southeast’s premier contemporary music ensemble—and their esteemed guest performer, Ken Ueno, in a collaboration that promises to challenge the boundaries of sound, form, and artistic expression.Bent Frequency, led by percussionist Stuart Gerber and saxophonist Jan Berry Baker, has been a leader in Atlanta’s avant-garde music scene since 2003. Known for their commitment to diverse, socially conscious programming, they create immersive performances in unconventional venues. This event features new experimental works showcasing their adventurous spirit.Joining them is Ken Ueno, a visionary composer and performer recognized for his innovative vocal techniques and sound installations. His collaboration with Bent Frequency promises a thrilling blend of experimental sound and virtuosic musicianship. Ken Ueno is a composer, performer, sound artist, and scholar. Leading performers and ensembles around the world have championed Ueno’s music. His piece for the Hilliard Ensemble, Shiroi Ishi, was featured in their repertoire for over ten years. Another work, Pharmakon, was performed dozens of times nationally by Eighth Blackbird during their 2001-2003 seasons. A portrait concert of Ken’s was featured on MaerzMusik in Berlin in 2011. As a vocalist, Ueno is known for inventing extended techniques and has performed as a soloist in his vocal concerto with orchestras in Boston, New York, Warsaw, Vilnius, Bangkok, Sacramento, Stony Brook, Pittsburgh, North Carolina, and Berkeley. As a sound artist, his installations have been commissioned and exhibited by museums and galleries in Beijing, Guangzhou, Taipei, Mexico City, Art Basel, Los Angeles, and Hong Kong. One of his largest projects, Daedalus Drones, an installation (a fence-labyrinth housing a swarm of flying drones choreographed for performance with instrumentalists) was installed at the Asia Society of Hong Kong and featured on the New Vision Arts Festival in 2021. Ueno currently serves as a Professor at the University of California, Berkeley. His writings have been published by the Oxford Handbook, the New York Times, Palgrave Macmillan, and Wiley & Sons. His bio appears in The Grove Dictionary of American Music. www.kenueno.com