Tree Services Kings Park

Looking for Tree services expert to remove trees in Kings Park? We offer a full range of gardening services including tree trimming, tree cutting, and tree removal. All Green Gardening and Landscaping is one of the highly recommended services which provides tree services near you.

Removing a tree is not an easy task especially when you consider the restrictions of local councils. However, the tree removal services provided by us are hassle-free. With our company, you are sure to experience one of the best tree cutting experiences every. With over 15 years of experience in this field, we have always focused on attention to detail ad keeping the customers happy. Contact us today for a free quote.

Call 0410 196 069

In Search of professional Near You to cover all your Tree Services at an affordable price?

We can provide a written, no-obligation quote upfront, so you know what your costs for tree services in Kings Park will be in advance before any work commences. Before we can estimate the price for tree removal, we typically need to see it. This will give us a chance to assess the size and current state of the tree, and discuss with you what you need, offer our advice and suggestions, and provide you with a tree service price to meet your budget and needs.

Tree Removal Service Kings Park 2148

For many people, looking for a good tree service company is a daunting task. A quick search on the internet will give you a list of contractors that you can go through. But, someone good at selling themselves is not always going to be the best one to do the job.

With us, you do not have to worry about the quality of work (Check out our reviews here). We are highly recommended + 5-star rated tree removal team in your local area. We quote your tree removal job for free. We cover you from all angles when it comes to pruning, trimming trees to stump grinding.

What is the cost of tree removal in Kings Park NSW 2148?

The cost of tree removal in Kings Park ranges from $300 to $4,000. A thorough inspection is the only way the cost can be determined. Costs of tree removal depend on various factors, size of the tree, type of the tree, condition of the tree, presence of any hazard or accessibility of the tree, etc.

#1 Tree Pruning Service Near You

Pruning is one of the most important ways to keep your trees healthy and manageable. Pruning tree is a good process when it comes to preserving the health of the tree. It may seem like an unnecessary task to a lot of people, but the health benefits that regularly pruned trees get is at a different level compared to a tree that has been ignored for years.

Many of the issues like overgrowth of the branches and falling of the branches are a common problem for many households. Pruning trees regularly helps you to get rid of these problems and gives new look to your garden. Anytime between fall and early spring is the best time to get your trees pruned. We recommend pruning trees at least once a year for the best results.

Tree Cutting Service Kings Park

Our tree cutting and removal services are provided by highly qualified professionals. With over 15 years of combines experience in the field, we are one of the best when it comes to tree cutting services near you.

In the age where you can find a lot of information online, people also talk about DIY tree cutting. However, a video or tutorial cannot prepare you for real-world experience. Cutting trees alone is very risky. You might be putting yourself and others in a dangerous position if you are cutting trees by yourself. Instead hiring the most professional tree cutting service in Kings Park is now easy than ever. We offer free quotes and are full service with many benefits compared to others.

Best Tree Trimming Kings Park

Tree service professionals have the right equipment to handle tough trunks in addition to garden upkeep. Stumping above ground level is unsafe as well, so you may want to pave over the stump once the tree is removed. Our expertise includes tree removal, tree lopping, and stump grinding.

We always aim to get to quotes and jobs on time because we understand how valuable your time is. In addition to this tree removal, trimming, dead wooding, and reduction, we also do large and dangerous trees and palm removal in your area. Contact us today for the best Tree Services experience in Kings Park NSW.

Frequently Asked Questions

The estimated cost of tree removal would be in the region of $350 to $4500. That’s a large range! The national average for tree removal so far this year is $871, but because so many different aspects are weighed, it’s hard to only go by an average.

Tree service companies are specialist entities that take care of trees and other woody plants. They add fertiliser, prune or trim and control insects and diseases, as well as, if necessary, aid with other problems, including elimination or transplantation.

The best time to trim or prune the leaves is between fall and spring. Our team of experienced tree service professionals recommended trimming trees annually in the early spring.

The presence of mushroom in the trunks of the trees indicated the rotting of the trunk. However, not all fungus indicates a bad sign.

A rotten or damaged tree has a really big risk of falling on the property. It is best recommended to get your tree checked by a professional tree service professional to get the best advice.

Current Job Postings

Looking to be apart of the All Green Gardening & Landscaping Team, email us your Job Interest as we are looking for local tree specialists and arborists in Sydney to start immediately.

jobs@allgreen-gardening-landscaping.com.au

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Nepal - Bungamati - Rato Machhendranath Temple - Statue Of Deity Rato Machhendranath - 1
Matsyendranātha, Machhindranāth or Mīnanātha (Newari Buṅga Dyaḥ, c. early 10th century) is a saint in a number of Buddhist and Hindu traditions. He is credited with composing some of the earliest texts on hatha yoga. He was one of the eighty-four mahasiddhas and considered the guru of Gorakshanath, another important figure in early hatha yoga. He is revered by both Hindus and Buddhists, and is sometimes regarded as an incarnation of Avalokiteśvara. Matsyendranatha is the founder of the Nath sampradaya and a central figure in Hatha and certain tantric traditions of yoga. EARLY LIFE Little is known about the life of Matsyendra and legends vary in describing his birthplace and Siddhahood. He is often conflated with the figures of Minanatha (who is also sometimes considered Matsyendra's father) and Lui-Pa, all of whose names translate as 'Lord of the Fishes'. Giuseppe Tucci states, on the authority of two Tibetan works - the Siddha (Wylie: grub thob) and Taranatha's "Possessing the Seven Transmissions" (Wylie: bka' babs bdun ldan) - that Matsyendranāth, who is seen in Tibet as an avatar of Avalokiteśvara, was a fisherman from Kamarupa. The Newar people of Nepal claim his birthplace is Bungamati near Kathmandu. He is mentioned in the Sabaratantra as one of the twenty four Kapalika siddhas. LEGEND Legends tell that Matsyendra was born under an inauspicious star. This warranted his parents to throw the baby into the ocean. It is here that the baby was swallowed by a fish where he lived for many years. The fish swam to the bottom of the ocean where Shiva was imparting the secrets of yoga to his consort, Parvati. Upon overhearing the secrets of yoga, Matsyendra began to practice yoga sadhana inside the fish's belly. After twelve years he finally emerged as an enlightened Siddha. This is the origin of his name 'Lord of the Fishes' or 'He Whose Lord is the Lord of the Fishes'. Other versions of the legend exist, including one in which Matsyendra was born as a fish and turned into a siddha by Shiva. Some scholars draw parallels beween this legend and the Biblical story of Jonah and the Whale. Another legend says that, when Gorakshanath visited Patan, he captured all the rain-showering serpents of Patan and started to meditate after he was disappointed by the locals as they did not grant him any alms on his request. As a result, Patan faced drought for a long time. The king of Patan, on the advice of his advisers, invited Matsyendranath, Gorakshanath's guru, to Patan. When Gorakhnath learned that his teacher was in Patan, he released all the rain showering serpents and went to see him. As soon as the rain showering serpents were set free, Patan again got plenty of rainfall every year. After that day, the locals of Patan worshiped Matsyendranath as the god of rain. DIVINISED FORMS Machhindranāth (or Bunga Dyah in Newari) is a god of rain worshiped by both Hindus and Buddhists in Nepal. Hindus regard him as an incarnation of Shiva while Buddhists regard him as an incarnation of Avalokiteśvara. The temple of Macchindranāth lies in the southern part of the Patan Durbar Square since 1673. WORKS Matseyendra is credited with composing hatha and tantric works such as the Kaulajñānanirnāya ("Discussion of the Knowledge Pertaining to the Kaula Tradition"), the Matsyendrasamhita and "Akula-Viratantra", some of the earliest texts on hatha yoga in Sanskrit in the eleventh century. James Mallinson, Alexis Sanderson, David Gordon White and others theorize that many works were attributed to him posthumously. He was known to be sympathist of hermits and occultists. Matsyendranath did a lot to bring about social and religious awakening by combining the best in Buddhism and Hinduism. DISCIPLES Matsyendranath is typically listed as having eight disciples. The list of his disciples varies between different temples and lineages, but commonly includes Gorakshanath, Jalandharnath, Kanifnath (Kanhoba), Gahininath, Bhartrinath, Revan Nath, Charpatinath and Naganath. Along with Matsyendranath, they are called the Navnath. While Gorkshanath is generally considered a direct disciple of Matsyendranath, it is likely they lived hundreds of years apart. THE TEMPLES OF MATSEYENDRANATH The Patan shikhara, known as the Rato Machhindranath Temple, is one of the oldest Matsyendranath temples, dating back from the 16th century. It lies in the southern part of the Patan Durbar Square. Each of the four well crafted wooden doors of this temple is guarded by two lion figures while the four corners of the temple are guarded by khyah, a yeti-like figure. The murti of Rato Machhindranath (Matsyendranath) spends six months of the year in this temple. The village of Bungamati, regarded in Nepal as the birthplace of Matsyendranath, is a traditional Newar town located 10 kilometres from downtown Kathmandu. The temple of Rato Machhindranath is located in the heart of this village and it is known as his second home. After the chariot festival, Rato Macchindranath spends the next six month in this temple. Other temples of Minanatha are Toyu (white) Machhindranath temple in Kathmandu, Machhindranath temple in kille-Machhindragad Tal: Walwa (Islampur) Dist :Sangli, Maharashtra, Machhendranath Guru Peeth in Sri Guru Parashakthi Kshethra: Madyar: Mangalore, Hyangu (red) Machhindranath temple in Patan, Vishwayogi Swami Machhindranath Mandir, Mitmita: Aurangabad, The samadhi place of Machhindranath is in Ujjain, Madhya Pradesh, Mayamba Temple (Garbhagiri Pravat as mentioned in Navnath Grantha) at Shri Kshetra Machhindranath Devasthan at Sawargaon: Tal: Ashti, District: Beed, Machhindra Nath Mandir, Inside Ambagate, Amravati and Machhindra Nath Tapobhumi,Devacho Dongar, Kudal, Maharashtra, Dist Sindhudurg. (This Holy place is mentioned in the 6th Chapter of Navnath Grantha) Lord Shiv Shankar Bholenath & Lord Machhindra Nath have both together meditated at this place for three days. CHARIOT FESTIVAL The most important event connected with the deity is the annual chariot procession known as Bunga Dyah Jatra or Rato Machhindranath Jatra. Each year, the locals of Patan, Lalitpur celebrate the festival in order to show respect to the rain god. This festival is one of the oldest and the longest festival celebrated in Patan and is celebrated in April–May. It is celebrated just before the monsoon season starts so that the city will get plenty rainfall for good growth of crops. During the procession, the image of Bunga Dyah is placed on a tall chariot about 65 feet high and pulled in stages through the streets of Patan for a month. Before the chariot festival starts the ritual of Mahasnana is conducted in an auspicious hour as indicated by the astrologers about 15 days before the chariot festival. The deity is taken to a platform at Lagankhel which is about 200 meters away from the temple of Machhindranath at Ta: bahal Lalitpur. There in front of a huge crowd the god is given a bath with the sacred water mixture of honey, milk and water fetched by the panejus or priests in the four silver kalasa(vessel). The four priests then pour the sacred water or jal from four direction in the platform to the deity and it is believed that from which ever direction 1st the jal touches the deity from the same direction monsoon will start or first rain will be granted. After the mahasnana the repairs are done to the idol of the deity if required and the new face is painted. After the face painting is over various ritual are performed to the deity like Bareychukegu; Ihi; Bara tyegu as done to a human and at the end Dashakarma vidhi is performed. While these all are going on the temple premises, the chariot or ratha is made at Pulchowk by the Barahi and Yawal clans, amongst which one only does the rope work and other only the wood work. In the construction of the chariot no nails are used to connect the joints of the huge chariot but are only tied with ropes and veds. The only part that uses iron to hold are the four wheels. After the construction is finished the deity is ascended in the divine vehicle i.e. 3 days before the pulling of chariot. The route of the chariot procession starts at Pulchwok and passes through Gabahal, Sundhara, Lagankhel and ends at Jawalakhel.Previously the festival was called the festival of three states viz. Kathmandu, Bhaktapur, Lalitpur as the deity was brought by the alliance of these three states. So, previously the 1st day of festival was to be carried on by people of Kathmandu then by Bhaktapur and then 3rd by Lalitpur, and on last day all three sister cities come together for Jawalakhel jatra with other nearby city people from Kirtipur and others from the valley. After the chariot reacher Jawalakhel, this festival concludes with Bhoto Jatra, which literally means "vest festival". During the ceremony, a government official holds up a sacred jewel-studded black vest from the four sides of the chariot so that all the people gathered around can have a look at it. After the festival, the chariot is dismantled and Rato Macchindranath is taken to a temple in the nearby village of Bungamati, also known as the second home of the rain god. Rato Machhindranath spends the next six months in that temple. IN POPULAR CULTURE In the Dasam Granth, Guru Gobind Singh narrated a huge discourse between Matsyendra Nath and Paras Nath on Intuitive (Bibek) and Non Intuitive Mind (Abibek). Parasnatha subdued kings of the world and turned egoistic, and was broken by Matsyendranatha's spiritual preachings. This granth is regarded among Spiritual warriors of Khalsa Panths called Nihang Singhs. FILMS ABOUT THIS LEGEND The first film entitled Maya Machhindra was made in 1932 in Hindi and Marathi languages by Prabhat Film Company and directed by V. Shantaram. Govindrao Tembe portrayed the role of Machhindranath. The second film (of the same title) was made in 1939 in the Tamil language directed by Raja Chandrasekhar and starring N. S. Krishnan and M. G. Ramachandran. The third film in the Telugu language, also title Maya Machhindra, was made P. Pullaiah in 1945 starring Jandhyala Gourinatha Sastry, Addanki Srirama Murthy and Pasupuleti Kannamba. The fourth film was again made in Hindi and Marathi languages in 1951 directed by Aspi Irani. The fifth film was made in Hindi language by Babubhai Mistry in 1960/61. The sixth film was made in Telugu language in 1975 starring N. T. Rama Rao and directed by Kamalakara Kameswara Rao. WIKIPEDIA

Nepal - Bungamati - Rato Machhendranath Temple - Statue Of Deity Rato Machhendranath - 3
Matsyendranātha, Machhindranāth or Mīnanātha (Newari Buṅga Dyaḥ, c. early 10th century) is a saint in a number of Buddhist and Hindu traditions. He is credited with composing some of the earliest texts on hatha yoga. He was one of the eighty-four mahasiddhas and considered the guru of Gorakshanath, another important figure in early hatha yoga. He is revered by both Hindus and Buddhists, and is sometimes regarded as an incarnation of Avalokiteśvara. Matsyendranatha is the founder of the Nath sampradaya and a central figure in Hatha and certain tantric traditions of yoga. EARLY LIFE Little is known about the life of Matsyendra and legends vary in describing his birthplace and Siddhahood. He is often conflated with the figures of Minanatha (who is also sometimes considered Matsyendra's father) and Lui-Pa, all of whose names translate as 'Lord of the Fishes'. Giuseppe Tucci states, on the authority of two Tibetan works - the Siddha (Wylie: grub thob) and Taranatha's "Possessing the Seven Transmissions" (Wylie: bka' babs bdun ldan) - that Matsyendranāth, who is seen in Tibet as an avatar of Avalokiteśvara, was a fisherman from Kamarupa. The Newar people of Nepal claim his birthplace is Bungamati near Kathmandu. He is mentioned in the Sabaratantra as one of the twenty four Kapalika siddhas. LEGEND Legends tell that Matsyendra was born under an inauspicious star. This warranted his parents to throw the baby into the ocean. It is here that the baby was swallowed by a fish where he lived for many years. The fish swam to the bottom of the ocean where Shiva was imparting the secrets of yoga to his consort, Parvati. Upon overhearing the secrets of yoga, Matsyendra began to practice yoga sadhana inside the fish's belly. After twelve years he finally emerged as an enlightened Siddha. This is the origin of his name 'Lord of the Fishes' or 'He Whose Lord is the Lord of the Fishes'. Other versions of the legend exist, including one in which Matsyendra was born as a fish and turned into a siddha by Shiva. Some scholars draw parallels beween this legend and the Biblical story of Jonah and the Whale. Another legend says that, when Gorakshanath visited Patan, he captured all the rain-showering serpents of Patan and started to meditate after he was disappointed by the locals as they did not grant him any alms on his request. As a result, Patan faced drought for a long time. The king of Patan, on the advice of his advisers, invited Matsyendranath, Gorakshanath's guru, to Patan. When Gorakhnath learned that his teacher was in Patan, he released all the rain showering serpents and went to see him. As soon as the rain showering serpents were set free, Patan again got plenty of rainfall every year. After that day, the locals of Patan worshiped Matsyendranath as the god of rain. DIVINISED FORMS Machhindranāth (or Bunga Dyah in Newari) is a god of rain worshiped by both Hindus and Buddhists in Nepal. Hindus regard him as an incarnation of Shiva while Buddhists regard him as an incarnation of Avalokiteśvara. The temple of Macchindranāth lies in the southern part of the Patan Durbar Square since 1673. WORKS Matseyendra is credited with composing hatha and tantric works such as the Kaulajñānanirnāya ("Discussion of the Knowledge Pertaining to the Kaula Tradition"), the Matsyendrasamhita and "Akula-Viratantra", some of the earliest texts on hatha yoga in Sanskrit in the eleventh century. James Mallinson, Alexis Sanderson, David Gordon White and others theorize that many works were attributed to him posthumously. He was known to be sympathist of hermits and occultists. Matsyendranath did a lot to bring about social and religious awakening by combining the best in Buddhism and Hinduism. DISCIPLES Matsyendranath is typically listed as having eight disciples. The list of his disciples varies between different temples and lineages, but commonly includes Gorakshanath, Jalandharnath, Kanifnath (Kanhoba), Gahininath, Bhartrinath, Revan Nath, Charpatinath and Naganath. Along with Matsyendranath, they are called the Navnath. While Gorkshanath is generally considered a direct disciple of Matsyendranath, it is likely they lived hundreds of years apart. THE TEMPLES OF MATSEYENDRANATH The Patan shikhara, known as the Rato Machhindranath Temple, is one of the oldest Matsyendranath temples, dating back from the 16th century. It lies in the southern part of the Patan Durbar Square. Each of the four well crafted wooden doors of this temple is guarded by two lion figures while the four corners of the temple are guarded by khyah, a yeti-like figure. The murti of Rato Machhindranath (Matsyendranath) spends six months of the year in this temple. The village of Bungamati, regarded in Nepal as the birthplace of Matsyendranath, is a traditional Newar town located 10 kilometres from downtown Kathmandu. The temple of Rato Machhindranath is located in the heart of this village and it is known as his second home. After the chariot festival, Rato Macchindranath spends the next six month in this temple. Other temples of Minanatha are Toyu (white) Machhindranath temple in Kathmandu, Machhindranath temple in kille-Machhindragad Tal: Walwa (Islampur) Dist :Sangli, Maharashtra, Machhendranath Guru Peeth in Sri Guru Parashakthi Kshethra: Madyar: Mangalore, Hyangu (red) Machhindranath temple in Patan, Vishwayogi Swami Machhindranath Mandir, Mitmita: Aurangabad, The samadhi place of Machhindranath is in Ujjain, Madhya Pradesh, Mayamba Temple (Garbhagiri Pravat as mentioned in Navnath Grantha) at Shri Kshetra Machhindranath Devasthan at Sawargaon: Tal: Ashti, District: Beed, Machhindra Nath Mandir, Inside Ambagate, Amravati and Machhindra Nath Tapobhumi,Devacho Dongar, Kudal, Maharashtra, Dist Sindhudurg. (This Holy place is mentioned in the 6th Chapter of Navnath Grantha) Lord Shiv Shankar Bholenath & Lord Machhindra Nath have both together meditated at this place for three days. CHARIOT FESTIVAL The most important event connected with the deity is the annual chariot procession known as Bunga Dyah Jatra or Rato Machhindranath Jatra. Each year, the locals of Patan, Lalitpur celebrate the festival in order to show respect to the rain god. This festival is one of the oldest and the longest festival celebrated in Patan and is celebrated in April–May. It is celebrated just before the monsoon season starts so that the city will get plenty rainfall for good growth of crops. During the procession, the image of Bunga Dyah is placed on a tall chariot about 65 feet high and pulled in stages through the streets of Patan for a month. Before the chariot festival starts the ritual of Mahasnana is conducted in an auspicious hour as indicated by the astrologers about 15 days before the chariot festival. The deity is taken to a platform at Lagankhel which is about 200 meters away from the temple of Machhindranath at Ta: bahal Lalitpur. There in front of a huge crowd the god is given a bath with the sacred water mixture of honey, milk and water fetched by the panejus or priests in the four silver kalasa(vessel). The four priests then pour the sacred water or jal from four direction in the platform to the deity and it is believed that from which ever direction 1st the jal touches the deity from the same direction monsoon will start or first rain will be granted. After the mahasnana the repairs are done to the idol of the deity if required and the new face is painted. After the face painting is over various ritual are performed to the deity like Bareychukegu; Ihi; Bara tyegu as done to a human and at the end Dashakarma vidhi is performed. While these all are going on the temple premises, the chariot or ratha is made at Pulchowk by the Barahi and Yawal clans, amongst which one only does the rope work and other only the wood work. In the construction of the chariot no nails are used to connect the joints of the huge chariot but are only tied with ropes and veds. The only part that uses iron to hold are the four wheels. After the construction is finished the deity is ascended in the divine vehicle i.e. 3 days before the pulling of chariot. The route of the chariot procession starts at Pulchwok and passes through Gabahal, Sundhara, Lagankhel and ends at Jawalakhel.Previously the festival was called the festival of three states viz. Kathmandu, Bhaktapur, Lalitpur as the deity was brought by the alliance of these three states. So, previously the 1st day of festival was to be carried on by people of Kathmandu then by Bhaktapur and then 3rd by Lalitpur, and on last day all three sister cities come together for Jawalakhel jatra with other nearby city people from Kirtipur and others from the valley. After the chariot reacher Jawalakhel, this festival concludes with Bhoto Jatra, which literally means "vest festival". During the ceremony, a government official holds up a sacred jewel-studded black vest from the four sides of the chariot so that all the people gathered around can have a look at it. After the festival, the chariot is dismantled and Rato Macchindranath is taken to a temple in the nearby village of Bungamati, also known as the second home of the rain god. Rato Machhindranath spends the next six months in that temple. IN POPULAR CULTURE In the Dasam Granth, Guru Gobind Singh narrated a huge discourse between Matsyendra Nath and Paras Nath on Intuitive (Bibek) and Non Intuitive Mind (Abibek). Parasnatha subdued kings of the world and turned egoistic, and was broken by Matsyendranatha's spiritual preachings. This granth is regarded among Spiritual warriors of Khalsa Panths called Nihang Singhs. FILMS ABOUT THIS LEGEND The first film entitled Maya Machhindra was made in 1932 in Hindi and Marathi languages by Prabhat Film Company and directed by V. Shantaram. Govindrao Tembe portrayed the role of Machhindranath. The second film (of the same title) was made in 1939 in the Tamil language directed by Raja Chandrasekhar and starring N. S. Krishnan and M. G. Ramachandran. The third film in the Telugu language, also title Maya Machhindra, was made P. Pullaiah in 1945 starring Jandhyala Gourinatha Sastry, Addanki Srirama Murthy and Pasupuleti Kannamba. The fourth film was again made in Hindi and Marathi languages in 1951 directed by Aspi Irani. The fifth film was made in Hindi language by Babubhai Mistry in 1960/61. The sixth film was made in Telugu language in 1975 starring N. T. Rama Rao and directed by Kamalakara Kameswara Rao. WIKIPEDIA

Nepal - Bungamati - Rato Machhendranath Temple - Statue Of Deity Rato Machhendranath - 5
Matsyendranātha, Machhindranāth or Mīnanātha (Newari Buṅga Dyaḥ, c. early 10th century) is a saint in a number of Buddhist and Hindu traditions. He is credited with composing some of the earliest texts on hatha yoga. He was one of the eighty-four mahasiddhas and considered the guru of Gorakshanath, another important figure in early hatha yoga. He is revered by both Hindus and Buddhists, and is sometimes regarded as an incarnation of Avalokiteśvara. Matsyendranatha is the founder of the Nath sampradaya and a central figure in Hatha and certain tantric traditions of yoga. EARLY LIFE Little is known about the life of Matsyendra and legends vary in describing his birthplace and Siddhahood. He is often conflated with the figures of Minanatha (who is also sometimes considered Matsyendra's father) and Lui-Pa, all of whose names translate as 'Lord of the Fishes'. Giuseppe Tucci states, on the authority of two Tibetan works - the Siddha (Wylie: grub thob) and Taranatha's "Possessing the Seven Transmissions" (Wylie: bka' babs bdun ldan) - that Matsyendranāth, who is seen in Tibet as an avatar of Avalokiteśvara, was a fisherman from Kamarupa. The Newar people of Nepal claim his birthplace is Bungamati near Kathmandu. He is mentioned in the Sabaratantra as one of the twenty four Kapalika siddhas. LEGEND Legends tell that Matsyendra was born under an inauspicious star. This warranted his parents to throw the baby into the ocean. It is here that the baby was swallowed by a fish where he lived for many years. The fish swam to the bottom of the ocean where Shiva was imparting the secrets of yoga to his consort, Parvati. Upon overhearing the secrets of yoga, Matsyendra began to practice yoga sadhana inside the fish's belly. After twelve years he finally emerged as an enlightened Siddha. This is the origin of his name 'Lord of the Fishes' or 'He Whose Lord is the Lord of the Fishes'. Other versions of the legend exist, including one in which Matsyendra was born as a fish and turned into a siddha by Shiva. Some scholars draw parallels beween this legend and the Biblical story of Jonah and the Whale. Another legend says that, when Gorakshanath visited Patan, he captured all the rain-showering serpents of Patan and started to meditate after he was disappointed by the locals as they did not grant him any alms on his request. As a result, Patan faced drought for a long time. The king of Patan, on the advice of his advisers, invited Matsyendranath, Gorakshanath's guru, to Patan. When Gorakhnath learned that his teacher was in Patan, he released all the rain showering serpents and went to see him. As soon as the rain showering serpents were set free, Patan again got plenty of rainfall every year. After that day, the locals of Patan worshiped Matsyendranath as the god of rain. DIVINISED FORMS Machhindranāth (or Bunga Dyah in Newari) is a god of rain worshiped by both Hindus and Buddhists in Nepal. Hindus regard him as an incarnation of Shiva while Buddhists regard him as an incarnation of Avalokiteśvara. The temple of Macchindranāth lies in the southern part of the Patan Durbar Square since 1673. WORKS Matseyendra is credited with composing hatha and tantric works such as the Kaulajñānanirnāya ("Discussion of the Knowledge Pertaining to the Kaula Tradition"), the Matsyendrasamhita and "Akula-Viratantra", some of the earliest texts on hatha yoga in Sanskrit in the eleventh century. James Mallinson, Alexis Sanderson, David Gordon White and others theorize that many works were attributed to him posthumously. He was known to be sympathist of hermits and occultists. Matsyendranath did a lot to bring about social and religious awakening by combining the best in Buddhism and Hinduism. DISCIPLES Matsyendranath is typically listed as having eight disciples. The list of his disciples varies between different temples and lineages, but commonly includes Gorakshanath, Jalandharnath, Kanifnath (Kanhoba), Gahininath, Bhartrinath, Revan Nath, Charpatinath and Naganath. Along with Matsyendranath, they are called the Navnath. While Gorkshanath is generally considered a direct disciple of Matsyendranath, it is likely they lived hundreds of years apart. THE TEMPLES OF MATSEYENDRANATH The Patan shikhara, known as the Rato Machhindranath Temple, is one of the oldest Matsyendranath temples, dating back from the 16th century. It lies in the southern part of the Patan Durbar Square. Each of the four well crafted wooden doors of this temple is guarded by two lion figures while the four corners of the temple are guarded by khyah, a yeti-like figure. The murti of Rato Machhindranath (Matsyendranath) spends six months of the year in this temple. The village of Bungamati, regarded in Nepal as the birthplace of Matsyendranath, is a traditional Newar town located 10 kilometres from downtown Kathmandu. The temple of Rato Machhindranath is located in the heart of this village and it is known as his second home. After the chariot festival, Rato Macchindranath spends the next six month in this temple. Other temples of Minanatha are Toyu (white) Machhindranath temple in Kathmandu, Machhindranath temple in kille-Machhindragad Tal: Walwa (Islampur) Dist :Sangli, Maharashtra, Machhendranath Guru Peeth in Sri Guru Parashakthi Kshethra: Madyar: Mangalore, Hyangu (red) Machhindranath temple in Patan, Vishwayogi Swami Machhindranath Mandir, Mitmita: Aurangabad, The samadhi place of Machhindranath is in Ujjain, Madhya Pradesh, Mayamba Temple (Garbhagiri Pravat as mentioned in Navnath Grantha) at Shri Kshetra Machhindranath Devasthan at Sawargaon: Tal: Ashti, District: Beed, Machhindra Nath Mandir, Inside Ambagate, Amravati and Machhindra Nath Tapobhumi,Devacho Dongar, Kudal, Maharashtra, Dist Sindhudurg. (This Holy place is mentioned in the 6th Chapter of Navnath Grantha) Lord Shiv Shankar Bholenath & Lord Machhindra Nath have both together meditated at this place for three days. CHARIOT FESTIVAL The most important event connected with the deity is the annual chariot procession known as Bunga Dyah Jatra or Rato Machhindranath Jatra. Each year, the locals of Patan, Lalitpur celebrate the festival in order to show respect to the rain god. This festival is one of the oldest and the longest festival celebrated in Patan and is celebrated in April–May. It is celebrated just before the monsoon season starts so that the city will get plenty rainfall for good growth of crops. During the procession, the image of Bunga Dyah is placed on a tall chariot about 65 feet high and pulled in stages through the streets of Patan for a month. Before the chariot festival starts the ritual of Mahasnana is conducted in an auspicious hour as indicated by the astrologers about 15 days before the chariot festival. The deity is taken to a platform at Lagankhel which is about 200 meters away from the temple of Machhindranath at Ta: bahal Lalitpur. There in front of a huge crowd the god is given a bath with the sacred water mixture of honey, milk and water fetched by the panejus or priests in the four silver kalasa(vessel). The four priests then pour the sacred water or jal from four direction in the platform to the deity and it is believed that from which ever direction 1st the jal touches the deity from the same direction monsoon will start or first rain will be granted. After the mahasnana the repairs are done to the idol of the deity if required and the new face is painted. After the face painting is over various ritual are performed to the deity like Bareychukegu; Ihi; Bara tyegu as done to a human and at the end Dashakarma vidhi is performed. While these all are going on the temple premises, the chariot or ratha is made at Pulchowk by the Barahi and Yawal clans, amongst which one only does the rope work and other only the wood work. In the construction of the chariot no nails are used to connect the joints of the huge chariot but are only tied with ropes and veds. The only part that uses iron to hold are the four wheels. After the construction is finished the deity is ascended in the divine vehicle i.e. 3 days before the pulling of chariot. The route of the chariot procession starts at Pulchwok and passes through Gabahal, Sundhara, Lagankhel and ends at Jawalakhel.Previously the festival was called the festival of three states viz. Kathmandu, Bhaktapur, Lalitpur as the deity was brought by the alliance of these three states. So, previously the 1st day of festival was to be carried on by people of Kathmandu then by Bhaktapur and then 3rd by Lalitpur, and on last day all three sister cities come together for Jawalakhel jatra with other nearby city people from Kirtipur and others from the valley. After the chariot reacher Jawalakhel, this festival concludes with Bhoto Jatra, which literally means "vest festival". During the ceremony, a government official holds up a sacred jewel-studded black vest from the four sides of the chariot so that all the people gathered around can have a look at it. After the festival, the chariot is dismantled and Rato Macchindranath is taken to a temple in the nearby village of Bungamati, also known as the second home of the rain god. Rato Machhindranath spends the next six months in that temple. IN POPULAR CULTURE In the Dasam Granth, Guru Gobind Singh narrated a huge discourse between Matsyendra Nath and Paras Nath on Intuitive (Bibek) and Non Intuitive Mind (Abibek). Parasnatha subdued kings of the world and turned egoistic, and was broken by Matsyendranatha's spiritual preachings. This granth is regarded among Spiritual warriors of Khalsa Panths called Nihang Singhs. FILMS ABOUT THIS LEGEND The first film entitled Maya Machhindra was made in 1932 in Hindi and Marathi languages by Prabhat Film Company and directed by V. Shantaram. Govindrao Tembe portrayed the role of Machhindranath. The second film (of the same title) was made in 1939 in the Tamil language directed by Raja Chandrasekhar and starring N. S. Krishnan and M. G. Ramachandran. The third film in the Telugu language, also title Maya Machhindra, was made P. Pullaiah in 1945 starring Jandhyala Gourinatha Sastry, Addanki Srirama Murthy and Pasupuleti Kannamba. The fourth film was again made in Hindi and Marathi languages in 1951 directed by Aspi Irani. The fifth film was made in Hindi language by Babubhai Mistry in 1960/61. The sixth film was made in Telugu language in 1975 starring N. T. Rama Rao and directed by Kamalakara Kameswara Rao. WIKIPEDIA

Nepal - Bungamati - Rato Machhendranath Temple - Statue Of Deity Rato Machhendranath - 4bb
Matsyendranātha, Machhindranāth or Mīnanātha (Newari Buṅga Dyaḥ, c. early 10th century) is a saint in a number of Buddhist and Hindu traditions. He is credited with composing some of the earliest texts on hatha yoga. He was one of the eighty-four mahasiddhas and considered the guru of Gorakshanath, another important figure in early hatha yoga. He is revered by both Hindus and Buddhists, and is sometimes regarded as an incarnation of Avalokiteśvara. Matsyendranatha is the founder of the Nath sampradaya and a central figure in Hatha and certain tantric traditions of yoga. EARLY LIFE Little is known about the life of Matsyendra and legends vary in describing his birthplace and Siddhahood. He is often conflated with the figures of Minanatha (who is also sometimes considered Matsyendra's father) and Lui-Pa, all of whose names translate as 'Lord of the Fishes'. Giuseppe Tucci states, on the authority of two Tibetan works - the Siddha (Wylie: grub thob) and Taranatha's "Possessing the Seven Transmissions" (Wylie: bka' babs bdun ldan) - that Matsyendranāth, who is seen in Tibet as an avatar of Avalokiteśvara, was a fisherman from Kamarupa. The Newar people of Nepal claim his birthplace is Bungamati near Kathmandu. He is mentioned in the Sabaratantra as one of the twenty four Kapalika siddhas. LEGEND Legends tell that Matsyendra was born under an inauspicious star. This warranted his parents to throw the baby into the ocean. It is here that the baby was swallowed by a fish where he lived for many years. The fish swam to the bottom of the ocean where Shiva was imparting the secrets of yoga to his consort, Parvati. Upon overhearing the secrets of yoga, Matsyendra began to practice yoga sadhana inside the fish's belly. After twelve years he finally emerged as an enlightened Siddha. This is the origin of his name 'Lord of the Fishes' or 'He Whose Lord is the Lord of the Fishes'. Other versions of the legend exist, including one in which Matsyendra was born as a fish and turned into a siddha by Shiva. Some scholars draw parallels beween this legend and the Biblical story of Jonah and the Whale. Another legend says that, when Gorakshanath visited Patan, he captured all the rain-showering serpents of Patan and started to meditate after he was disappointed by the locals as they did not grant him any alms on his request. As a result, Patan faced drought for a long time. The king of Patan, on the advice of his advisers, invited Matsyendranath, Gorakshanath's guru, to Patan. When Gorakhnath learned that his teacher was in Patan, he released all the rain showering serpents and went to see him. As soon as the rain showering serpents were set free, Patan again got plenty of rainfall every year. After that day, the locals of Patan worshiped Matsyendranath as the god of rain. DIVINISED FORMS Machhindranāth (or Bunga Dyah in Newari) is a god of rain worshiped by both Hindus and Buddhists in Nepal. Hindus regard him as an incarnation of Shiva while Buddhists regard him as an incarnation of Avalokiteśvara. The temple of Macchindranāth lies in the southern part of the Patan Durbar Square since 1673. WORKS Matseyendra is credited with composing hatha and tantric works such as the Kaulajñānanirnāya ("Discussion of the Knowledge Pertaining to the Kaula Tradition"), the Matsyendrasamhita and "Akula-Viratantra", some of the earliest texts on hatha yoga in Sanskrit in the eleventh century. James Mallinson, Alexis Sanderson, David Gordon White and others theorize that many works were attributed to him posthumously. He was known to be sympathist of hermits and occultists. Matsyendranath did a lot to bring about social and religious awakening by combining the best in Buddhism and Hinduism. DISCIPLES Matsyendranath is typically listed as having eight disciples. The list of his disciples varies between different temples and lineages, but commonly includes Gorakshanath, Jalandharnath, Kanifnath (Kanhoba), Gahininath, Bhartrinath, Revan Nath, Charpatinath and Naganath. Along with Matsyendranath, they are called the Navnath. While Gorkshanath is generally considered a direct disciple of Matsyendranath, it is likely they lived hundreds of years apart. THE TEMPLES OF MATSEYENDRANATH The Patan shikhara, known as the Rato Machhindranath Temple, is one of the oldest Matsyendranath temples, dating back from the 16th century. It lies in the southern part of the Patan Durbar Square. Each of the four well crafted wooden doors of this temple is guarded by two lion figures while the four corners of the temple are guarded by khyah, a yeti-like figure. The murti of Rato Machhindranath (Matsyendranath) spends six months of the year in this temple. The village of Bungamati, regarded in Nepal as the birthplace of Matsyendranath, is a traditional Newar town located 10 kilometres from downtown Kathmandu. The temple of Rato Machhindranath is located in the heart of this village and it is known as his second home. After the chariot festival, Rato Macchindranath spends the next six month in this temple. Other temples of Minanatha are Toyu (white) Machhindranath temple in Kathmandu, Machhindranath temple in kille-Machhindragad Tal: Walwa (Islampur) Dist :Sangli, Maharashtra, Machhendranath Guru Peeth in Sri Guru Parashakthi Kshethra: Madyar: Mangalore, Hyangu (red) Machhindranath temple in Patan, Vishwayogi Swami Machhindranath Mandir, Mitmita: Aurangabad, The samadhi place of Machhindranath is in Ujjain, Madhya Pradesh, Mayamba Temple (Garbhagiri Pravat as mentioned in Navnath Grantha) at Shri Kshetra Machhindranath Devasthan at Sawargaon: Tal: Ashti, District: Beed, Machhindra Nath Mandir, Inside Ambagate, Amravati and Machhindra Nath Tapobhumi,Devacho Dongar, Kudal, Maharashtra, Dist Sindhudurg. (This Holy place is mentioned in the 6th Chapter of Navnath Grantha) Lord Shiv Shankar Bholenath & Lord Machhindra Nath have both together meditated at this place for three days. CHARIOT FESTIVAL The most important event connected with the deity is the annual chariot procession known as Bunga Dyah Jatra or Rato Machhindranath Jatra. Each year, the locals of Patan, Lalitpur celebrate the festival in order to show respect to the rain god. This festival is one of the oldest and the longest festival celebrated in Patan and is celebrated in April–May. It is celebrated just before the monsoon season starts so that the city will get plenty rainfall for good growth of crops. During the procession, the image of Bunga Dyah is placed on a tall chariot about 65 feet high and pulled in stages through the streets of Patan for a month. Before the chariot festival starts the ritual of Mahasnana is conducted in an auspicious hour as indicated by the astrologers about 15 days before the chariot festival. The deity is taken to a platform at Lagankhel which is about 200 meters away from the temple of Machhindranath at Ta: bahal Lalitpur. There in front of a huge crowd the god is given a bath with the sacred water mixture of honey, milk and water fetched by the panejus or priests in the four silver kalasa(vessel). The four priests then pour the sacred water or jal from four direction in the platform to the deity and it is believed that from which ever direction 1st the jal touches the deity from the same direction monsoon will start or first rain will be granted. After the mahasnana the repairs are done to the idol of the deity if required and the new face is painted. After the face painting is over various ritual are performed to the deity like Bareychukegu; Ihi; Bara tyegu as done to a human and at the end Dashakarma vidhi is performed. While these all are going on the temple premises, the chariot or ratha is made at Pulchowk by the Barahi and Yawal clans, amongst which one only does the rope work and other only the wood work. In the construction of the chariot no nails are used to connect the joints of the huge chariot but are only tied with ropes and veds. The only part that uses iron to hold are the four wheels. After the construction is finished the deity is ascended in the divine vehicle i.e. 3 days before the pulling of chariot. The route of the chariot procession starts at Pulchwok and passes through Gabahal, Sundhara, Lagankhel and ends at Jawalakhel.Previously the festival was called the festival of three states viz. Kathmandu, Bhaktapur, Lalitpur as the deity was brought by the alliance of these three states. So, previously the 1st day of festival was to be carried on by people of Kathmandu then by Bhaktapur and then 3rd by Lalitpur, and on last day all three sister cities come together for Jawalakhel jatra with other nearby city people from Kirtipur and others from the valley. After the chariot reacher Jawalakhel, this festival concludes with Bhoto Jatra, which literally means "vest festival". During the ceremony, a government official holds up a sacred jewel-studded black vest from the four sides of the chariot so that all the people gathered around can have a look at it. After the festival, the chariot is dismantled and Rato Macchindranath is taken to a temple in the nearby village of Bungamati, also known as the second home of the rain god. Rato Machhindranath spends the next six months in that temple. IN POPULAR CULTURE In the Dasam Granth, Guru Gobind Singh narrated a huge discourse between Matsyendra Nath and Paras Nath on Intuitive (Bibek) and Non Intuitive Mind (Abibek). Parasnatha subdued kings of the world and turned egoistic, and was broken by Matsyendranatha's spiritual preachings. This granth is regarded among Spiritual warriors of Khalsa Panths called Nihang Singhs. FILMS ABOUT THIS LEGEND The first film entitled Maya Machhindra was made in 1932 in Hindi and Marathi languages by Prabhat Film Company and directed by V. Shantaram. Govindrao Tembe portrayed the role of Machhindranath. The second film (of the same title) was made in 1939 in the Tamil language directed by Raja Chandrasekhar and starring N. S. Krishnan and M. G. Ramachandran. The third film in the Telugu language, also title Maya Machhindra, was made P. Pullaiah in 1945 starring Jandhyala Gourinatha Sastry, Addanki Srirama Murthy and Pasupuleti Kannamba. The fourth film was again made in Hindi and Marathi languages in 1951 directed by Aspi Irani. The fifth film was made in Hindi language by Babubhai Mistry in 1960/61. The sixth film was made in Telugu language in 1975 starring N. T. Rama Rao and directed by Kamalakara Kameswara Rao. WIKIPEDIA

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