Isa BarzizzaIsa Barzizza (1929) is an Italian actress, who is considered one of the most important interpreters of the Italian revue, cinema, and television.
Luisita "Isa" Barzizza was born in 1929 in San Remo in Italy. She is the daughter of the famous orchestra conductor and musician Pippo Barzizza and of Tatina Salesi. She studied at the Liceo Classico Vincenzo Gioberti in Turin and at the same time began to participate in prose theatre performances in secondary roles next to actors such as Ruggero Ruggeri, Elsa Merlini, and Eduardo De Filippo. At first, Pippo Barzizza was against his daughter's theatrical activity. It was Erminio Macario who launched her into the theatre world after Barzizza had finished her high school studies. The great actor personally asked Isa's father to let her make her debut in one of his revues. The father agreed on the condition that Isa was always looked after by a governess, and this was the case. Isa Barzizza made her debut with 'Le educande di San Babila' in 1947, followed by 'Follie di Amleto' in 1947-48. Gifted with a handsome physique and a light-hearted irony, she soon became one of the darlings of post-war Italian light and musical theatre.
Isa Barzizza's second godfather was Totò, from whom she learned all the secrets of the trade: from his direct relationship with the audience to his comic timing, from mimicry to the use of space on stage. In the theatrical field, she starred in two plays with Totò: 'C'era una volta il mondo' (1948) and 'Bada che ti mangio' (1949). In this last comedy, the gag of the sleeping car was born, also proposed in the film Totò a colori (Steno, 1952). Barzizza also made her film debut with Totò in the 1947 film I due orfanelli (The Two Orphans, Mario Mattoli 1947) and made 11 films with him, including Fifa e arena (Mattoli, 1948) and Totò al giro d'Italia (Mattoli, 1948), and, as can be suspected here, often directed by Mario Mattoli. Barzizza was most active as a film actress in the late 1940s and early 1950s and was often paired with popular male comedians (of whom some she already worked with on stage), such as Nino Taranto, Macario, Aldo Fabrizi, Carlo Dapporto, Tino Scotti, Walter Chiari, and the French comedian Fernandel, but above all Totò. She also starred herself in a few films, such as the comedies Porca miseria (Giorgi Bianchi, 1951) and Bellezze in moto-scooter (Carlo Campogalliani, 1952), while she less often also acted in dramas such as the Christmas Carol-inspired Non è mai troppo tardi (Filippo Walter Ratti, 1953), starring Paolo Stoppa. Thus between 1947 and 1956 Barzizza acted in some 35 films, including the Italo-German coproduction Senza veli/ Wir tanzen auf dem Regenbogen (1953/1952), a musical melodrama shot in both a German and an Italian version at Cinecittà, plus another Italo-German film shot in two versions: Die Tochter der Kompanie/ La figlia del reggimento (Géza von Bolváry, Goffredo Alessandrini, Tullio Cova, 1953). The last film of this avalanche of mostly (partly musical) comedies was I pinguini ci guardano (1956) by Guido Leoni, which included many famous names such as Barzizza, Isa Miranda, Ave Ninchi, and the singers Renato Rascel and Domenico Modugno.
In the 1951-52 stage season Isa Barzizza worked with Garinei and Giovannini, who paid homage to her great beauty and sense of humour in revues such as 'Gran baldoria', which was a great success with the public. In the same years, she also tried his hand at prose theatre, playing in William Shakespeare's The Twelfth Night directed by Renato Castellani. On 3 January 1954, the day the official Italian television programmes began, RAI broadcast Carlo Goldoni's one-act play 'Osteria della posta' in which Barzizza was the leading actress. Numerous other comedies followed. In 1955-56 she had another success with the musical comedy Valentina, the love story of two fiancés who take a leap forward in time. In 1960, when she was only 31 years old, she decided to interrupt her career in brilliant theatre following the death of her husband in 1953, the television director Carlo Alberto Chiesa, in a car accident on 3 June 1960 on the Via Aurelia. For a few years, she devoted herself entirely to her only daughter; she then became romantically involved with the builder Enzo Villoresi.
Following a suggestion at the beginning of the 1960s, Isa Barzizza founded a dubbing company and devoted herself to this activity, both as a businesswoman and as an artistic director. In the 1970s she returned to the film sets for supporting parts in Ettore Scola's famous C'eravamo tanto amati (1974) but also the lesser known Il garofano rosso (Luigi Faccini, 1976), based on a novel by Elio Vittorini and starring Miguel Bosé. Barzizza only returned to the theatre in the early nineties, again in comedies such as La pulce nell'orecchio directed by Gigi Proietti, and Arsenico e vecchi merletti/ Arsenic and Old lace directed by Mario Monicelli. In 1995 she took part in the Spoleto Festival with L'ultimo Yankee by Arthur Miller and in 1999 she starred in a version of the theatrical reduction of Aldo Palazzeschi's novel Sorelle Materassi, alongside Lauretta Masiero. In the same period, she also returned to work in film and television. She acted e.g. in Luca Barbareschi's coming of age film Ardena (1997). She hosted the TV show Mai dire mai on Raitre in 1989 with Fabio Fazio and Giampiero Mughini, and took part in the two series of the Raiuno fiction Non lasciamoci più (1999 and 2001). In the film 7 km da Gerusalemme (Claudio Malaponti, 2007), she plays a rich old lady willing to "buy luck" for her grandchildren at the Church of the Holy Sepulchre. In the autumn of her love, Barzizza played various grandmothers in films, such as the one in Maledimiele (Marco Pozzi, 2011 ), while she played Marisa, an elderly woman in a hospital, in the bittersweet comedy Viva Italia! (2012) by Massimiliano Bruno, starring Michele Placido, Raul Bova, Alessandro Gassman, and Ambra Angiolini. Barzizza's last film role was that of grandmother Emma in the comedy Indovina chi viene a Natale? (Fausto Brizzi, 2013), with Diego Abatantuono and Bova.
Sources: Wikipedia (Italian and English), and IMDb.
And, please check out our blog European Film Star Postcards .
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Dinner is ready, darling!
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My darling
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🎸Listening to ..The one who love's you. ( Roo Panes)www.youtube.com/watch?v=D49bTCkheSo
Roo Panes
Oooooh darling
Won't you listen to the one who loves you?
Oooooh darling
I wish you would listen to the one who loves you
Been meaning to tell you
You're one of a kind
You grew up singing in the rain
Not singing too much nowdays
Not getting too much right
But there's something about you
Something I've never known
And I don't want to let it go
No, I don't want to let it go
But there's one palm in the sun, girl
And the other in the cold
And I don't know which one to hold
No, I don't know which one to hold
Oooooh darling
Won't you listen to the one who loves you?
Oooooh darling
I wish you would listen to the one who loves you
Well, I saw you like a butterfly
Falling through the stormy sky
You're getting lost on this world
And you sit there singing lullabies
Trying to hum away the lies
And you don't realize why it's so hard
But there's something about you
Something I've never known
And I don't want to let it go
No, I don't want to let it go
There's one palm in the sun, girl
And the other in the cold
And I don't know which one to hold
Oh
Oooooh darling
Won't you listen to the one who loves you?
Oooooh darling
I wish you would listen to the one who loves you
Who loves you
(Who loves you, ooh)
(Oh, oh)
(You should know, 'cause it's true)
(There's a love-light over you)
(You should know, because it's true)
(There's a love-light over you)
Ooooh oh darling
Won't you listen to the one who loves you?
Ooooh oh darling
I wish you would listen to the one who loves you
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Isa BarzizzaIsa Barzizza (1929) is an Italian actress, who is considered one of the most important interpreters of the Italian revue, cinema, and television.
Luisita "Isa" Barzizza was born in 1929 in San Remo in Italy. She is the daughter of the famous orchestra conductor and musician Pippo Barzizza and of Tatina Salesi. She studied at the Liceo Classico Vincenzo Gioberti in Turin and at the same time began to participate in prose theatre performances in secondary roles next to actors such as Ruggero Ruggeri, Elsa Merlini, and Eduardo De Filippo. At first, Pippo Barzizza was against his daughter's theatrical activity. It was Erminio Macario who launched her into the theatre world after Barzizza had finished her high school studies. The great actor personally asked Isa's father to let her make her debut in one of his revues. The father agreed on the condition that Isa was always looked after by a governess, and this was the case. Isa Barzizza made her debut with 'Le educande di San Babila' in 1947, followed by 'Follie di Amleto' in 1947-48. Gifted with a handsome physique and a light-hearted irony, she soon became one of the darlings of post-war Italian light and musical theatre.
Isa Barzizza's second godfather was Totò, from whom she learned all the secrets of the trade: from his direct relationship with the audience to his comic timing, from mimicry to the use of space on stage. In the theatrical field, she starred in two plays with Totò: 'C'era una volta il mondo' (1948) and 'Bada che ti mangio' (1949). In this last comedy, the gag of the sleeping car was born, also proposed in the film Totò a colori (Steno, 1952). Barzizza also made her film debut with Totò in the 1947 film I due orfanelli (The Two Orphans, Mario Mattoli 1947) and made 11 films with him, including Fifa e arena (Mattoli, 1948) and Totò al giro d'Italia (Mattoli, 1948), and, as can be suspected here, often directed by Mario Mattoli. Barzizza was most active as a film actress in the late 1940s and early 1950s and was often paired with popular male comedians (of whom some she already worked with on stage), such as Nino Taranto, Macario, Aldo Fabrizi, Carlo Dapporto, Tino Scotti, Walter Chiari, and the French comedian Fernandel, but above all Totò. She also starred herself in a few films, such as the comedies Porca miseria (Giorgi Bianchi, 1951) and Bellezze in moto-scooter (Carlo Campogalliani, 1952), while she less often also acted in dramas such as the Christmas Carol-inspired Non è mai troppo tardi (Filippo Walter Ratti, 1953), starring Paolo Stoppa. Thus between 1947 and 1956 Barzizza acted in some 35 films, including the Italo-German coproduction Senza veli/ Wir tanzen auf dem Regenbogen (1953/1952), a musical melodrama shot in both a German and an Italian version at Cinecittà, plus another Italo-German film shot in two versions: Die Tochter der Kompanie/ La figlia del reggimento (Géza von Bolváry, Goffredo Alessandrini, Tullio Cova, 1953). The last film of this avalanche of mostly (partly musical) comedies was I pinguini ci guardano (1956) by Guido Leoni, which included many famous names such as Barzizza, Isa Miranda, Ave Ninchi, and the singers Renato Rascel and Domenico Modugno.
In the 1951-52 stage season Isa Barzizza worked with Garinei and Giovannini, who paid homage to her great beauty and sense of humour in revues such as 'Gran baldoria', which was a great success with the public. In the same years, she also tried his hand at prose theatre, playing in William Shakespeare's The Twelfth Night directed by Renato Castellani. On 3 January 1954, the day the official Italian television programmes began, RAI broadcast Carlo Goldoni's one-act play 'Osteria della posta' in which Barzizza was the leading actress. Numerous other comedies followed. In 1955-56 she had another success with the musical comedy Valentina, the love story of two fiancés who take a leap forward in time. In 1960, when she was only 31 years old, she decided to interrupt her career in brilliant theatre following the death of her husband in 1953, the television director Carlo Alberto Chiesa, in a car accident on 3 June 1960 on the Via Aurelia. For a few years, she devoted herself entirely to her only daughter; she then became romantically involved with the builder Enzo Villoresi.
Following a suggestion at the beginning of the 1960s, Isa Barzizza founded a dubbing company and devoted herself to this activity, both as a businesswoman and as an artistic director. In the 1970s she returned to the film sets for supporting parts in Ettore Scola's famous C'eravamo tanto amati (1974) but also the lesser known Il garofano rosso (Luigi Faccini, 1976), based on a novel by Elio Vittorini and starring Miguel Bosé. Barzizza only returned to the theatre in the early nineties, again in comedies such as La pulce nell'orecchio directed by Gigi Proietti, and Arsenico e vecchi merletti/ Arsenic and Old lace directed by Mario Monicelli. In 1995 she took part in the Spoleto Festival with L'ultimo Yankee by Arthur Miller and in 1999 she starred in a version of the theatrical reduction of Aldo Palazzeschi's novel Sorelle Materassi, alongside Lauretta Masiero. In the same period, she also returned to work in film and television. She acted e.g. in Luca Barbareschi's coming of age film Ardena (1997). She hosted the TV show Mai dire mai on Raitre in 1989 with Fabio Fazio and Giampiero Mughini, and took part in the two series of the Raiuno fiction Non lasciamoci più (1999 and 2001). In the film 7 km da Gerusalemme (Claudio Malaponti, 2007), she plays a rich old lady willing to "buy luck" for her grandchildren at the Church of the Holy Sepulchre. In the autumn of her love, Barzizza played various grandmothers in films, such as the one in Maledimiele (Marco Pozzi, 2011 ), while she played Marisa, an elderly woman in a hospital, in the bittersweet comedy Viva Italia! (2012) by Massimiliano Bruno, starring Michele Placido, Raul Bova, Alessandro Gassman, and Ambra Angiolini. Barzizza's last film role was that of grandmother Emma in the comedy Indovina chi viene a Natale? (Fausto Brizzi, 2013), with Diego Abatantuono and Bova.
Sources: Wikipedia (Italian and English), and IMDb.
And, please check out our blog European Film Star Postcards .
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